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THE ART OF THE WASTED DAY

“Loneliness eats away at you,” writes the author. “Solitude fills and fills you.” A captivating and revelatory memoir.

A writer’s life is conveyed through “a lens of penetrating inquiry.”

As a young girl studying the Baltimore Catechism to prepare for her first confession, Hampl (The Florist’s Daughter, 2007, etc.) was shocked to learn that daydreaming—“this effortless flight of the mind”—was a sin. She refused to believe it: daydreaming, her abiding pleasure, “sees things. Claims things, twirls them around, takes a good look,” and makes sense of them. In this lucent, tender, and wise memoir, the author celebrates this quiet reflection, which actually requires acute observation and intense, even loving, attention. “Caress the detail, the divine detail,” Nabokov commanded. “And because the detail is divine,” Hampl discovers, “if you caress it into life, the world lost or ignored, the world ruined or devalued, comes to life.” As in her previous memoirs, the author reports on journeys, both inward among memories and outward—to France, Wales, and on the Mississippi River—as she works at “the job of being human.” She is never really alone, “even though being alone is the one thing we recognize as our chance for authenticity, for surprising ourselves out of predictability.” Her traveling companions include Whitman, Dickinson, Augustine, Gregor Mendel, Colette, Virginia Woolf, and, notably, Montaigne, the elegant 16th-century writer who withdrew from public life “to muse about how to die—or was it how to live?” Montaigne invented a new literary genre, the essay, liberating writing “to be wild, untamed, eccentric.” His goal, Hampl writes, “was to renew the springs of the first-person voice bounding across the field of what we keep calling, against our uncertainty, reality.” His goal is Hampl’s, as well: memoir, she knows, is “not a reminiscence, but a quest.” Although reveling in solitude, the author is no stranger to loneliness; her husband’s recent, unexpected death has left her bereft. Grief pulses through the memoir, a feeling different, entirely, from “the solitude within the mind.”

“Loneliness eats away at you,” writes the author. “Solitude fills and fills you.” A captivating and revelatory memoir.

Pub Date: April 17, 2018

ISBN: 978-0-525-42964-7

Page Count: 288

Publisher: Viking

Review Posted Online: Jan. 9, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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