by Patricia Lauber ‧ RELEASE DATE: March 1, 1998
From Lauber (Flood, 1996, etc.), an introduction to cave painting that is sturdy and thorough, but oddly workmanlike, never betraying a real sense of awe for the mysterious artwork adorning the cave walls at such locales as Lascaux, Chauvet, and Trois- Fräres. First comes a brief survey of Neanderthal and early modern cultures, in particular how the early moderns gradually pulled ahead of the Neanderthals, with better dwellings and finer clothes, and, significantly, in the measure of leisure. Lauber speculates sensibly about what the art may have meant to the early humans and how they went about painting it. But the real selling point here is no mystery: Excellent full-color photographs, cartography, and illustrations deliver the energy and excitement missing from the text. (appendix, bibliography, index) (Nonfiction. 9-11)
Pub Date: March 1, 1998
ISBN: 0-7922-7095-9
Page Count: 48
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
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by Thomas King ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Oct. 3, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Avi & illustrated by Brian Floca ‧ RELEASE DATE: Oct. 1, 1995
The book is a cute, but rather standard offering from Avi (Tom, Babette, and Simon, p. 776, etc.).
An adolescent mouse named Poppy is off on a romantic tryst with her rebel boyfriend when they are attacked by Mr. Ocax, the owl who rules over the area.
He kills the boyfriend, but Poppy escapes and Mr. Ocax vows to catch her. Mr. Ocax has convinced all the mice that he is their protector when, in fact, he preys on them mercilessly. When the mice ask his permission to move to a new house, he refuses, blaming Poppy for his decision. Poppy suspects that there is another reason Mr. Ocax doesn't want them to move and investigates to clear her name. With the help of a prickly old porcupine and her quick wits, Poppy defeats her nemesis and her own fears, saving her family in the bargain.
The book is a cute, but rather standard offering from Avi (Tom, Babette, and Simon, p. 776, etc.). (Fiction. 9-11)Pub Date: Oct. 1, 1995
ISBN: 0-531-09483-9
Page Count: 147
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
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