An anthology of original poems and flavorfully adapted folk tales and rhymes, carefully sourced and credited. There's a Babush in a boot with "too many children,/who cried with a hoot," and one who glared at the boy who kissed the girl who milked the cow on "The Train to Ivanovo." Babushka pulls Diadushka, who's pulling on a giant turnip; and Babushka is also the old lady with the millions of cats who "loved her ever more." Some of the weaker selections are those with a message, but Polacco (Pink and Say, 1994, etc.) conjures pure nonsense (Pum-a-doodle./Soup bag, pebble webble.'') that is pure magic. Mother Goose's high spirits reside in this Russian fare, accompanied by boldly painted scenes of people and animals dashing around and happily kicking up claws, paws, and heels. (Picture book/folklore. 3-7)
Pub Date: Sept. 12, 1995
ISBN: 0-399-22747-4
Page Count: 64
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
The team that collaborated so gracefully on Diego (1991) returns with another little book showing how a Mexican family celebrates el d°a de los muertos, the holiday commemorating the dead. Everyone spends days preparing special foods, which are carried in a candlelight procession to the cemetery for a nightlong celebration of singing, dancing, and feasting at the graves of loved ones. A number of Spanish words and phrases are worked into Johnston's simple text, as the children are repeatedly told ``espÇrense''—``wait''—when they try to sample the empanadas (meat pastries) or the pan de muertos (special ``bread of the dead,'' shaped like human figures and decorated with colored sugar). Winter's square acrylic paintings, in rich hues of green, pink, purple, blue, and gold, float within thick black borders that change with each turn of the page. The covers, endpapers, and title page are decorated with silhouettes reminiscent of the cut-paper banners that beautify the ofrendas, home altars bearing candles, fruit, flowers, and photographs of the departed. A warm, fictional introduction for an audience younger than that for the photo-essays by Kathryn Lasky (Days of the Dead, 1994) and Diane Hoyt-Goldsmith (Day of the Dead, 1994, not reviewed). (Picture book. 4-7)
Pub Date: Sept. 1, 1997
ISBN: 0-15-222863-2
Page Count: 56
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
Great gobs of glue should be more fun than this. (Picture book. 4-7)
Can there be too much glue? Matty’s about to find out.
Matty’s art teacher warns him that too much glue will never dry, but Matty (and his dad) loves glue; they play with it constantly. So Matty finds the “fullest” bottle in the art room and squirts it all over his project. Then he flops down in the middle of the mess…and gets stuck. He’s “a blucky stucky mess!” His friends try to lasso him with yarn and haul him out, but the yarn breaks and gets stuck; now, he’s “a clingy stringy, blucky stucky mess.” A Lego tow truck snaps apart in another rescue attempt, making him a “click-brick, clingy stringy, blucky stucky mess!” When the bell rings, the glue’s dry, and dad must peel gluey Matty off the table. At home, he’s divested of his glue suit, and Dad puts a magnet on it and sticks it to the fridge. After dinner, the family explores the fun of duct tape. Despite the busy plot and superabundance of exclamation marks, Lefebvre’s debut never rises to the level of mayhem or fun it aspires to. The cumulative portion of the tale loses rhyme, rhythm and logic six pages before it ends. Retz’s Photoshop paintings are bright, wide-eyed and goofy, but they can’t add enough fun to compensate for the lackluster text.
Great gobs of glue should be more fun than this. (Picture book. 4-7)Pub Date: Sept. 1, 2013
ISBN: 978-1-9362612-7-7
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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