Polacco’s large and multiethnic family yields up another fine story, this one in greens and grays, lace and fire
When the textile mill in Glen Kerry, Ireland, is closed, Fiona’s family accepts passage to Chicago to work as servants for the family who paid their fares.
Fiona spends the endless journey making lace as her mother taught her. She and her sister, Ailish, love the oft-told story of how their father met their mother, when she tied bits of her lace in a trail from the mill to her home so he could be introduced properly. Since the family gets no wages until they pay off their passages, the parents must take other jobs after hours, but Fiona’s lace finds a market, and the family is able to save toward buying land in Michigan. But one evening, when Fiona is making lace and her parents are out working, a fire (the great Chicago fire of 1871) breaks out near their tenement. Fiona and Ailish escape with the lace, which Fiona uses to mark a path so their parents can find them, just as their father found their mother. Polacco weaves her themes well: immigrant history, family lore, poverty and oppression, and hope for the future. The greens of Ireland are beautifully pictured, and the dun and gray of the Chicago tenements are brightened by the sweetness of the lace patterns and the girls’ red hair.
Polacco’s large and multiethnic family yields up another fine story, this one in greens and grays, lace and fire . (Picture book. 4-8)Pub Date: Aug. 26, 2014
ISBN: 978-1-4424-8724-6
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
The story’s slight but allows kids to practice identifying and dealing with their own big feelings.
The diverse group of kids from All Are Welcome (2018) this time gathers in a vacant lot with tools in hand to clear the debris and make something new. But therein lies the rub: What should the something new be? While the exact nature of the disagreement is unfortunately not made clear to readers, the big feelings that the children exhibit are very clear (and for readers who need practice reading facial clues, there’s a labeled chart of 15 in the frontmatter). This book’s refrain is “How can I help? / What can we do?” And the answers, spread over several pages and not spelled out in so many words but rather shown in the illustrations, are: talk it through, compromise, and see things from another perspective. As a guide for dealing with feelings and problem-solving, the book is a bit slim and lacks a solid story to hook readers. But, as with its predecessor, its strength is again the diversity on display in its pages. There’s a rainbow of skin tones and hair colors as well as abundant variation in hair texture, several children exhibit visible disabilities, including one child who uses a wheelchair, and there are markers of religious and cultural diversity. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 29.6% of actual size.)
The story’s slight but allows kids to practice identifying and dealing with their own big feelings. (Picture book. 4-8)Pub Date: March 2, 2021
ISBN: 978-0-525-57974-8
Page Count: 42
Publisher: Knopf
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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