by Patricia Polacco ; illustrated by Patricia Polacco ‧ RELEASE DATE: Oct. 19, 2021
With its exhilarating illustrations, another tale from this master storyteller rings true.
With humorous text and visuals that recount another youthful episode, Polacco takes readers to mid-1950s Oakland, California.
Patricia is in junior high, the same school her “rotten, redheaded older brother…Richie” attends. Her brother embarrasses her with his slovenly hygiene; underscoring this, Polacco draws him as a monstrously funny figure. But one day, he miraculously changes, cleaning up both room and body, and shows up as the ice cream scooper at Ozzie’s lunch counter. He is dating Patricia’s best friend’s older sister, and the slightly younger girls are mortified. Even though the thought of Richie and Diane kissing makes them “want to hurl,” the budding artist has designs on handsome Johnnie Pearson. Once a week at ballroom dancing, Patricia longs for an invitation to dance. Their teacher insists that the boys do the asking, but only the “dweeb…geek…weirdo” Michael McKennah, with braces and glasses, asks her. When the end-of-year dance is announced, she is determined to learn the latest dances. Ozzie offers to introduce her to an expert—but it’s her own brother. He teaches Patricia the popular dances, and she finally shows her prowess and winds up with a surprise boyfriend. Characters and action are rendered with verve in the author/illustrator’s signature style, the scenes full of movement. All main characters present White, but there is racial diversity in the background. (This book was reviewed digitally.)
With its exhilarating illustrations, another tale from this master storyteller rings true. (author's note) (Picture book. 7-10)Pub Date: Oct. 19, 2021
ISBN: 978-1-5344-7855-8
Page Count: 56
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Kashmira Sheth ; illustrated by Jenn Kocsmiersky ‧ RELEASE DATE: Oct. 1, 2019
A sweet and entertaining series opener about family and friendship.
Nina is worried that her best friend, Jay, might not be her best friend anymore.
Nina Soni has been best friends with Jay Davenport since before she was born. But when Jay’s cousins move to town, he has less and less time for Nina—so little time, in fact, that she wonders if they’re still best friends. Nina is so distracted that she forgets about her Personal Narrative Project, an assignment in which Nina is supposed to write about something interesting that’s happened to her. At first, Nina wonders how she’ll ever write the essay when her family—and, by extension, her life—is so boring. But when Jay announces that he’s going to write the best PNP ever, Nina sees his challenge as a way to recover their friendship. Sheth’s language is poetic in its simplicity, and her narratorial voice is a pleasure to read. The book particularly sparkles whenever Nina interacts with her small but tightknit family, especially when she has to rescue her quirky younger sister, Kavita, from endless scrapes. The conflict between Nina and Jay, however, feels forced and tangential to the story, which really centers on Nina’s personal narrative and her loving, albeit exasperating, relationship with her family. Both Nina and Jay are Indian American; she on both sides of her family and he through his mother (his father is white).
A sweet and entertaining series opener about family and friendship. (Fiction. 7-10)Pub Date: Oct. 1, 2019
ISBN: 978-1-68263-057-0
Page Count: 128
Publisher: Peachtree
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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by Kashmira Sheth ; illustrated by Jenn Kocsmiersky
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by Sarah Weeks ‧ RELEASE DATE: Jan. 27, 2015
In all, it's an unsuccessful follow-up to Weeks' Pie (2011), but word-loving Melody is appealing, and her appended list of...
Melody Bishop's peaceful life with her widower father is upset when the annoying 6-year-old next door comes home from the beauty parlor with some gossip.
The 10-year-old has already noticed her father's increased distraction and a new tendency to whistle, so when Teeny Nelson reports that "Henry's been bitten by the love bug," Melody is avid to know more. With her best friend, biracial Nick Woo, at her side, she goes to the Bee Hive beauty salon to investigate. What she discovers there rocks her world not once but twice, as salon owner Bee-Bee has information about Melody's mother, who died in childbirth and about whom her father never speaks. Weeks gets the small moments right: Melody's exasperation with Teeny and the way it turns to sympathy when the little girl's mother threatens a spanking; her affectionate resignation when her grandfather, who has emphysema, sneaks out to the garage for a smoke. And Melody's close relationship with her loving father is sweetly evoked. But other elements fail to cohere. Obvious misdirection leads Melody to a critical misunderstanding that never amounts to more than a plot contrivance, and the mystical visions of Bee-Bee's dog, Mo, who has an unknown connection to Melody, strain credulity.
In all, it's an unsuccessful follow-up to Weeks' Pie (2011), but word-loving Melody is appealing, and her appended list of nail-polish colors is somewhat amusing. (Fiction. 7-10)Pub Date: Jan. 27, 2015
ISBN: 978-0-545-46557-1
Page Count: 160
Publisher: Scholastic
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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