A novel of great pain and loneliness, at times lyrical, at times turgid.
In deWitt’s debut novel, a Hollywood bartender reviews his life, both professional and romantic, and ultimately finds there’s no “there” there.
The subtitle, “Notes for a Novel,” suggests deWitt’s informality of approach. Many of the narrative fragments (the book is not technically written in chapters) begin “Discuss…”—and he fills in the blank with a name (“Discuss Sam, the bar’s principal cocaine dealer,” “Discuss the short, overweight Hispanic woman”). In this way we learn about the regulars in the bar as well as about those who work there, and unsurprisingly it turns out this Hollywood bar is not a hangout for the world’s most prepossessing subculture. Both customers and staff consume drinks lavishly, and cocaine, the drug of choice, is never far away. The “adventures,” such as they are, are invariably depressing: The bartender’s wife runs off with another man; customers share their wildest sexual fantasies (and sometimes try to realize them); Curtis, a “disconsolate black man and regular with a law enforcement fetish,” disappears from the bar for a while and then cloyingly reappears, one of life’s losers—“that is,” the bartender explains, “someone who has lost, and who is losing, and who will continue to lose for the rest of his life until he is dead and in the ground.” Eventually the bartender gets out of Dodge and goes on his own mini-odyssey, visiting bars (naturally) all over the Southwest and meeting fellow nonadaptive types. The culmination of the social function of the bar occurs when the owner dies and his wife decides to have a private wake at the bar, bringing together the regulars in an orgy of drunken revelry. True to the tone of the book, the story trails off open-endedly rather than resolves or concludes.
A novel of great pain and loneliness, at times lyrical, at times turgid.Pub Date: Feb. 18, 2009
ISBN: 978-0-15-101498-9
Page Count: 224
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’...
Fresh version of one of the world’s oldest epic poems, a foundational text of Western literature.
Sing to me, O muse, of the—well, in the very opening line, the phrase Wilson (Classical Studies, Univ. of Pennsylvania) chooses is the rather bland “complicated man,” the adjective missing out on the deviousness implied in the Greek polytropos, which Robert Fagles translated as “of twists and turns.” Wilson has a few favorite words that the Greek doesn’t strictly support, one of them being “monstrous,” meaning something particularly heinous, and to have Telemachus “showing initiative” seems a little report-card–ish and entirely modern. Still, rose-fingered Dawn is there in all her glory, casting her brilliant light over the wine-dark sea, and Wilson has a lively understanding of the essential violence that underlies the complicated Odysseus’ great ruse to slaughter the suitors who for 10 years have been eating him out of palace and home and pitching woo to the lovely, blameless Penelope; son Telemachus shows that initiative, indeed, by stringing up a bevy of servant girls, “their heads all in a row / …strung up with the noose around their necks / to make their death an agony.” In an interesting aside in her admirably comprehensive introduction, which extends nearly 80 pages, Wilson observes that the hanging “allows young Telemachus to avoid being too close to these girls’ abused, sexualized bodies,” and while her reading sometimes tends to be overly psychologized, she also notes that the violence of Odysseus, by which those suitors “fell like flies,” mirrors that of some of the other ungracious hosts he encountered along his long voyage home to Ithaca.
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’ recent translations of Homer; still, a readable and worthy effort.Pub Date: Nov. 7, 2017
ISBN: 978-0-393-08905-9
Page Count: 656
Publisher: Norton
Review Posted Online: Sept. 3, 2017
Kirkus Reviews Issue: Sept. 15, 2017
BOOK REVIEW
BOOK TO SCREEN
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