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An up-to-the-minute thriller that ably tackles contemporary politics.

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An investigator takes on a group of right-wing grifters and domestic terrorists in Moore’s political thriller.

Private eye Nick Crane is spending time in a Pacific Northwest cabin one evening when a mysterious man named Mars throws a brick through his window. Mars informs Crane that he’ll be driven to Vail, Colorado, to meet Willem Spahn, a financier with a relationship to a high-profile group of hard-right reactionaries. Crane has dealt with associates of the group, including Desmond Cole and Marguerite Ferguson, before—he knows they shoot to kill. Marguerite’s latest scheme is to back legislation that calls for the imprisonment of undocumented Latine people and Muslims, plus a plan to build for-profit private jails. Crane soon arrives in Vail, where Spahn explains that Cole is trying to save him from Ferguson, who wants to kill him. Crane is suspicious of his Spahn’s motives, but he’s soon crisscrossing the country trying to figure out what Marguerite is up to; in Wisconsin, she’s planning alt-right Make America Safe Again rallies. In the meantime, Nick’s business partner Bobby is taken hostage, drugged, and made to speak at a rally. With the help of FBI agent Carrie North, Nick puts himself in serious danger to save his friend and partner’s life. Moore’s fast-paced, exciting political thriller is full of action and intrigue. However, it’s also rather crowded, with a few too many extraneous characters. That said, it offers deliciously wicked villains—particularly the sly Ferguson—who are shown to be tough as nails (“I knew they didn’t want to kill me. Orders were to take me alive. So that Marguerite could deliver the coup de grâce personally”). Crane, meanwhile, always has right on his side. The timely plot will resonate with many readers as it digs deep into a depraved, shadowy underworld of manipulation and greed.

An up-to-the-minute thriller that ably tackles contemporary politics.

Pub Date: Feb. 6, 2023

ISBN: 9781643962986

Page Count: 360

Publisher: Down & Out Books

Review Posted Online: March 13, 2023

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ROCK PAPER SCISSORS

This complicated gothic thriller of dueling spouses and homicidal writers is cleverly plotted and neatly tied up.

An unhappy British couple attempt to rekindle the magic with a weekend trip to a remote spot in Scotland.

How is she tricking me? Feeney, the author of Sometimes I Lie (2017) and His and Hers (2020), has trained her readers to start asking this question immediately with her puzzle-box narratives. Well, you won't find out here. Only the basics: Amelia's won a weekend getaway in an office raffle, and as the novel opens, she and her screenwriter husband, Adam, who suffers from face blindness, along with their dog, Bob, are miserably making their way through a snowstorm to a destination in the Scottish Highlands which is no Airbnb Superhost, that's for sure. A freezing cold, barely converted church with many locked rooms and malfunctioning electricity, the property also features a mysterious caretaker who has left firewood and a nice note but seems to be spying through the window. Both Adam and Amelia seem to be considering this weekend the occasion for ending the marriage by any means necessary—then Bob disappears. The narrative goes back and forth with first-person chapters by Amelia and Adam interleaved with a series of letters written to Adam on their anniversary through the years and keyed to the traditional gifts: paper, cotton, wood, leather, etc. There's also a rock and a scissors, referring to the children's game of the book title, which the couple use to make everyday decisions like "Should we stay together?" Offstage is the famous writer Henry Winter, whose novels Adam has made his fortune adapting; through several author-characters, Feeney weaves in sometimes-grim observations about the literary life. On meeting a sourpuss cashier at the rural grocery store: "The woman wore her bitterness like a badge; the kind of person who writes one-star book reviews."

This complicated gothic thriller of dueling spouses and homicidal writers is cleverly plotted and neatly tied up.

Pub Date: Sept. 7, 2021

ISBN: 978-1-250-26610-1

Page Count: 304

Publisher: Flatiron Books

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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NO COUNTRY FOR OLD MEN

Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...

Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.

It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”

Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.

Pub Date: July 25, 2005

ISBN: 0-375-40677-8

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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