by Patrick Jennings & illustrated by Anna Alter ‧ RELEASE DATE: Dec. 30, 2001
Ike and Mem are pressured into visiting the Hawkins place, an abandoned and haunted house on the outskirts of town, but find that they are in for more than just an adventure. As Ike and Mem and their friends step on to the property, they notice a shed in back full of pigeons. Dave breaks a window to try to free them, but the loud crash frightens all the children into running away. Mem tells Ike that she saw someone watching from the window and they return to investigate—only to find themselves face to face with Mr. Hawkins. He is unhappy with the broken window and asks Ike and Mem for their phone number, but neither can remember it. He ominously tells them that he will be in touch. Ike’s conscience will not let him rest once he returns home, but instead of a beating heart, he hears the steady “Coo, coo, coo” of a pigeon. Ike and Mem find that Mr. Hawkins has sent a pigeon as a reminder and they eventually tell their parents the whole story, prompting a second and friendlier visit to the Hawkins place. Periodic pencil drawings accompany this very quiet, somewhat thoughtful tale. Young readers will want to stay tuned for other volumes of the adventures of Ike and Mem that are sure to follow. (Fiction. 6-9)
Pub Date: Dec. 30, 2001
ISBN: 0-8234-1670-4
Page Count: 55
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
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by Patrick Jennings ; illustrated by Suzanne Kaufman
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by Patrick Jennings ; illustrated by Michael Allen Austin
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by Melinda Long & illustrated by David Shannon ‧ RELEASE DATE: Sept. 1, 2003
Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)
Pub Date: Sept. 1, 2003
ISBN: 0-15-201848-4
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by Melinda Long ; illustrated by Monica Wyrick
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by Melinda Long & illustrated by David Shannon & developed by Oceanhouse Media
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by Melinda Long & illustrated by David Shannon
by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
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by Carlo Collodi illustrated by Fulvio Testa translated by Geoffrey Brock
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