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TOWN COLLEGE CITY ROAD

An emotionally complex coming-of-age story.

An elusive young man struggles with the meaning of success.

Early on, McGinty says of his protagonist Kurt Boozel’s hometown that it’s “small, and there are eyes everywhere.” As the title suggests, this is a story told in four parts as it follows Kurt from awkward adolescence to a degree of material success. Kurt’s academic skill prompts a coach at his high school to ask him to tutor TJ, an athlete whose grades are suffering. There’s a growing sexual tension between the two young men, which further isolates Kurt. He hasn’t come out to his family or friends, and his hesitancy to do so is one of the book’s ongoing threads. The novel follows Kurt to college, where he becomes enmeshed in fraternity life, and then to a career in finance, when he becomes obsessed with a Bitcoin purchase: “It took 24 whole minutes to walk to work, and in that time, Kurt missed an entire crypto opera.” The story is set in the recent past; McGinty references both the Occupy movement and Barack Obama’s 2012 reelection. We follow Kurt as he becomes more aware of his own desires and, later, develops a penchant for boxing. The prose style neatly evokes Kurt’s penchant for mental shorthand: “His brown eyes widening = I need you. Or = I’m dumb. Or = leave me alone.” But there’s a cautionary element there as well: Kurt is an ambitious young man drawn to the idea of success without understanding what it might cost; by the time he drives through a winter landscape to a family gathering, he’s on the brink of a crisis or a revelation—even if he hasn’t quite figured that out.

An emotionally complex coming-of-age story.

Pub Date: Sept. 23, 2025

ISBN: 9780299354244

Page Count: 286

Publisher: Univ. of Wisconsin

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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