by Patty Lovell ; illustrated by David Catrow ‧ RELEASE DATE: Sept. 8, 2020
An encouraging message in a quirky package.
Molly Lou Melon uses her voice to stand up for a new friend 19 years after she learned to stand up for herself.
Molly Lou Melon, “a tiny girl with a big, deep-down heart,” is true to herself, as her mother tells her to be. She accepts people for who they are, and she uses her strong voice to “speak up for anyone who might need [her] help.” At school, when Bettina Bonklehead teases Molly Lou and her friend Ronald with “kissy-kissy boyfriend-girlfriend,” Molly Lou defends their friendship. When Bettina teases the new boy, Molly Lou defends him and asks him to play at recess. After standing up for him ferociously, Molly Lou leads her friends in giving mean Bettina the option of being a friend too. Lovell’s text places this strong protagonist at the centers of a loving family and friend group, making her a role model for readers, with her fearless standing up and speaking out. Catrow’s illustrations are borderline fantastical, with birds riding in toy trains and Molly Lou wearing a backpack thrice her size. The ponytail (sometimes multiple) that sticks out beyond her Afro is a superlatively odd touch. Molly Lou has beige skin, and the very odd-looking new boy has brown skin while the other kids, no more peculiar in aspect than Catrow’s typical kewpie, seem to have pale skin. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 63.9% of actual size.)
An encouraging message in a quirky package. (Picture book. 4-9)Pub Date: Sept. 8, 2020
ISBN: 978-0-399-26002-5
Page Count: 40
Publisher: Putnam
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Patty Lovell & illustrated by David Catrow
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Kamin Science Center & JaNay Brown-Wood ; illustrated by Kristen Uroda
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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