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DEAD BY DAWN

A tour de force whose detective chapters pale beside its escape-from-certain-death chapters.

Game warden Mike Bowditch’s 12th adventure sends him hurtling through the Maine woods into the past, just like his first 11.

Imperious Rhodesian-born widow Mariëtte Chamberlain is convinced that the death four years ago of her father-in-law, professor Eben Chamberlain, was murder, not the accident Sgt. Marc Rivard’s investigation pronounced it after Chamberlain’s decomposing corpse was pulled from the Androscoggin River. Now that Rivard has lost his job as a warden, she requests—no, demands—that Bowditch launch his own inquiry. This can’t possibly end well, not only because Bowditch must deal with both the client from hell and a resentful ex-boss he was never close to, but because the opening scene has already made Bowditch the victim of a snowy act of sabotage that sends his Jeep plummeting into the river with him and Shadow, his companion wolf, inside. Shuttling back and forth between this calamity and the steps that led up to it, Doiron shows Bowditch dutifully questioning Arlo Burch, the last person to see Chamberlain alive, and Bruce Jewett, the hunting companion Mariëtte Chamberlain is convinced was the professor’s secret lover and killer, while alternating chapters follow him as he escapes the sinking Jeep, makes his way from the freezing river, and struggles to warm himself before he succumbs to either hypothermia or whomever ran him off the road. Just in case the past doesn’t look menacing enough, Doiron, like a dog who can’t let go of a favored bone, brings back the criminal Dow family as yet another threat.

A tour de force whose detective chapters pale beside its escape-from-certain-death chapters.

Pub Date: June 29, 2021

ISBN: 978-1-2502-3510-7

Page Count: 304

Publisher: Minotaur

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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THE TRUTH ABOUT THE DEVLINS

As an adjunct member says, “You’re not a family, you’re a force.” Exactly, though not in the way you’d expect.

The ne’er-do-well son of a successful Irish American family gets dragged into criminal complications that suggest the rest of the Devlins aren’t exactly the upstanding citizens they appear.

The first 35 years in the life of Thomas “TJ” Devlin have been one disappointment after another to his parents, lawyers who founded a prosperous insurance and reinsurance firm, and his more successful siblings, John and Gabby. A longtime alcoholic who’s been unemployable ever since he did time for an incident involving his ex-girlfriend Carrie’s then 2-year-old daughter, TJ is nominally an investigator for Devlin & Devlin, but everyone knows the post is a sinecure. Things change dramatically when golden-boy John tells TJ that he just killed Neil Lemaire, an accountant for D&D client Runstan Electronics. Their speedy return to the murder scene reveals no corpse, so the brothers breathe easier—until Lemaire turns up shot to death in his car. John’s way of avoiding anything that might jeopardize his status as heir apparent to D&D is to throw TJ under the bus, blaming him for everything John himself has done and adding that you can’t trust anything his brother has said since he’s fallen off the wagon. TJ, who’s maintained his sobriety a day at a time for nearly two years, feels outraged, but neither the police investigating the murder nor his nearest and dearest care about his feelings. Forget the forgettable mystery, whose solution will leave you shrugging instead of gasping, and focus on the circular firing squad of the Devlins, and you’ll have a much better time than TJ.

As an adjunct member says, “You’re not a family, you’re a force.” Exactly, though not in the way you’d expect.

Pub Date: March 26, 2024

ISBN: 9780525539704

Page Count: 384

Publisher: Putnam

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: yesterday

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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