A readable, personable study and a scathing indictment of Dutch passivity in the face of occupation, though without being...
The nephew of a Dutch Jewish dance teacher sent to Auschwitz gradually uncovers her tale of survival and triumph.
Glaser’s name appears solely on the title page of this work, though he has taken his aunt Rosie’s wartime diary and fleshed it out for publication, adding numerous photographs and letters for an overall sense of the consummate spirit of his aunt. Having lived in Germany during her earliest years, when her father worked in a German factory, Rosie was fluent in German; the nonreligious Jewish family eventually moved to the Netherlands, where Rosie became infatuated with dancing. After her first love, a pilot, was killed on a flight in 1936, Rosie used her dance skills to make a new life for herself and ensure her self-preservation throughout the years to come. She became the wife of a dance instructor, helping him to run his thriving studio until the Nazi invaders made it increasingly difficult for Jews to work or even move around the cities. A flirtation with another man turned disastrous: Both men, the first out of jealousy, the other from venality, betrayed her to the occupiers. Yet every step of the way, from deportation to imprisonment in Auschwitz, Rosie managed to sway fate her way—or, as she states: “I quickly assessed the situation and tried to regain some semblance of control over my life.” Alternating with her first-person narrative is the journey the Catholic-raised author took toward grasping his Jewish heritage and confronting the various skittish relatives for the truth, including the aged Rosie herself.
A readable, personable study and a scathing indictment of Dutch passivity in the face of occupation, though without being able to read the actual diary, readers may wonder about the liberties taken by the nephew.Pub Date: Sept. 10, 2013
ISBN: 978-0-385-53770-4
Page Count: 336
Publisher: Nan A. Talese
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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