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JEWISH LEARNING IN AMERICAN UNIVERSITIES

THE FIRST CENTURY

An authoritative study of the emergence of Jewish studies on the American campus. Sociologists have noted that access to and achievement in higher education facilitated the entrance of American Jews into the economic and cultural mainstream. Ritterband (Jewish Studies and Sociology/City College, CUNY) and Wechsler (Education and Human Development/Univ. of Rochester) remind us that, as a widespread phenomenon, this is recent; until the 1950s and early 1960s some Ivy League schools had quotas for Jewish students and faculty. But at the turn of the century, in a small but pivotal group of American universities, there were quite a few Jewish students, and a smaller proportion of faculty members who were offering courses on Jewish subjects, often under the rubric of Semitic Studies. The authors focus on six of these schools—Columbia, Harvard, Johns Hopkins, the University of California, the University of Chicago, and the University of Pennsylvania. Between 1875 and 1925 these schools offered courses in ancient Near Eastern languages, biblical archaeology, and comparative philology. As the authors note, ``The American Semitics professorate contained a goodly proportion of Jews who commanded sufficient resources to assume the subject's inclusion.'' By the mid-1920s academic anti-Semitism and a shift in the priorities of American Jews precipitated a sharp decline in both Jewish student enrollments and course offerings in Judaica. All of higher education was in the throes of change, and subjects as esoteric as biblical criticism and comparative philology were seen as irrelevant. The book, which ends with the proliferation of Jewish Studies programs in the 1970s, has wider implications than its title would indicate: regarding the value of a liberal education, the contents of the much-disputed literary canon, and the structuring of the college curriculum, which, the authors note, ``is rarely invented from a coherent rational plan.'' This analysis of an important American educational story is somewhat plodding and dry, but the end result is coherent and insightful.

Pub Date: Nov. 1, 1994

ISBN: 0-253-35039-5

Page Count: 368

Publisher: Indiana Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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