On the first day, both the light and the dark sides of kindergartners will go to school, their kissing hands clutching a...
Going into the darkness beyond Petunia Goes Wild! (2012), Schmid enters the tongue-in-cheek metaphorical alligator/crocodile waters of Candace Fleming (Who Invited You?, illustrated by George Booth, 2001) and Joe Kulka (My Crocodile Does Not Bite, 2013).
Oliver isn’t too sure about starting school—will his “brave” be big enough?—so he stops by the swamp and picks up his own tough: an alligator. “Just in case things got rough.” When he is asked his name by a lady (not his mom) and can’t remember, two little words take care of the difficulty: “Much, munch!” The same happens to a friendly little girl when Oliver’s answer gets stuck. A classroom full of noisy kids? Decorations that intimidate with all Oliver must learn? Not a problem for the now-rotund alligator. But now the problem is, “School is maybe kind of a little boring.” But where is that singing and laughter coming from? And can Oliver solve his newest quandary? Munch, munch! The simple, spare pastel pencil and digitally colored illustrations masterfully use both white space and the page turn to add to the humor. Retro pinks, yellows, blues and greens highlight details in the otherwise gray-and-white illustrations, while the three stripes on the alligator (and his never-open mouth) give him an appealing, nonthreatening look.
On the first day, both the light and the dark sides of kindergartners will go to school, their kissing hands clutching a stuffed alligator, self-confidence soaring. (Picture book. 4-7)Pub Date: June 25, 2013
ISBN: 978-1-4231-7437-0
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
Not one to stop for despite the appeal of the cartoony art style.
An intrepid member of Santa’s team saves Christmas.
When weary elves get into a fight just before Christmas Eve, Comet the reindeer steps in to break up the fisticuffs and is injured. The rhyming text describes how the doctor tells him he needs to rest and can’t help pull Santa’s sleigh that night, and then it reads, “Comet watched Santa get ready. / (His spot had been filled by / a rookie named Freddy.)” The singsong cadence and goofy phrasing of these lines is representative of the text as a whole, which goes on to reveal that Santa forgets to bring his bag filled with toys on the journey. No one notices this oversight since Freddy keeps them all entertained with silly songs. Injured Comet decides he must deliver the toys himself, and a comical sequence shows him struggling to lift an enormous bag onto his shoulders before giving up. Then he reads a tear-jerker of a letter to Santa from a selfless child, which inspires him to persist. He flies around the world in search of this child’s home, delivering toys until he finally finds the house he’s searching for in Oahu. At this point Santa calls “full of thanks-yous and praise, / so quick-thinking Comet / mentioned getting a raise,” an attempt at wit that both undercuts the message of selflessness and aims over the heads of most child readers. Santa presents White, and his elf employees are diverse.
Not one to stop for despite the appeal of the cartoony art style. (Picture book. 4-7)Pub Date: Sept. 15, 2020
ISBN: 978-1-5420-4347-2
Page Count: 40
Publisher: Two Lions
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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