Sorrentino’s authoritative and sympathetic portrait revives a “bohemian rebel” and prolific, groundbreaking writer.
Thoroughly researched biography of Stephen Crane (1871-1900), who shocked his contemporaries with raw, gritty fiction.
Sorrentino (English/Virginia Tech; editor: Stephen Crane Remembered, 2006, etc.) faced challenges in writing this biography: mainly, previous books that perpetuated errors and lies and few sources to set the record straight. His study chronicles the personal and literary struggles of a controversial writer who vowed to live “a life of fire.” The youngest son in a large family of precociously intelligent children, Crane refused to follow in his father’s footsteps as a minister, instead hoping to train at West Point for a military career. However, his plan was deflected by an older brother’s advice to enter a mining-engineering program at Lafayette College. There, and later at Syracuse University, Crane was a mediocre student, preferring to drink, smoke, play poker and carouse with his fraternity brothers; he finally dropped out and moved to New York City, intent on becoming a writer. While barely supporting himself as a journalist, he finished a novel drawn from the life he observed in the city’s slums: “the bleak portrayal of a naïve, sentimental girl in the tenements of New York.” Unable to find a publisher for Maggie: A Girl of the Streets, Crane published the book himself, winning praise from writer Hamlin Garland and influential editor William Dean Howells. The novel, Sorrentino writes, was “the first significant example of literary determinism in American literature,” but its candor and pessimism made critics wary of reviewing it. Three years later, though, The Red Badge of Courage, Crane’s psychological study of a Civil War soldier, generated adulation and fame. Good fortune was short-lived, however; bad business decisions and “questionable ethics” eroded what he earned, and Crane’s last years were fraught with financial troubles. He kept writing, always hoping for a fresh start, until tuberculosis killed him at the age of 28.
Sorrentino’s authoritative and sympathetic portrait revives a “bohemian rebel” and prolific, groundbreaking writer.Pub Date: June 1, 2014
ISBN: 978-0-674-04953-6
Page Count: 452
Publisher: Belknap/Harvard Univ.
Review Posted Online: March 15, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...
Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.
When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.Pub Date: Oct. 25, 2016
ISBN: 978-1-101-90504-3
Page Count: 384
Publisher: Crown Archetype
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
An authentic and fresh extension of the author’s successful Web series.
Writer, producer and director Rae, famous for her popular Web series, "The Misadventures of Awkward Black Girl," channels her humor and attention to detail into this eponymous collection of personal essays about all the embarrassing moments that have made her who she is.
Sharp and able to laugh at herself, the author writes as if she's unabashedly telling friends a stream of cringeworthy stories about her life. Having grown up with the understanding that laughing at and talking about people was a form of entertainment and bonding, Rae continues the tradition by inviting readers into her inner circle and making her own foibles her primary focus. Almost 30, she opens up about nearly everything in her life, from her lifelong fear of being watched while eating in public to acutely awkward experiences with Internet dating and cybersex. The theme that race plays in this book is integral, although Rae's approach, as with all of her subjects, is decidedly humorous and lighthearted; she veers, always, toward a personal tone as opposed to one that's political or polemical. Her unwavering candidness, the sheer energy of her voice and the fact that she clearly finds herself to be terrific material make her a charismatic, if occasionally exasperating, narrator worth rooting for. Having been in a committed relationship for seven years, Rae unpacks how her Senegalese parents’ union contributed to her attitude (indifference) toward marriage. Some readers will find her proclamations and direct confessions offensive and be turned off; others may be offended but laugh out loud anyway. In Rae, her audience has landed on a singular voice with the verve and vivacity of uncorked champagne.
An authentic and fresh extension of the author’s successful Web series.Pub Date: Feb. 10, 2015
ISBN: 978-1476749051
Page Count: 210
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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