Theroux is always great with setting; here it’s not just Burma but the mind of Orwell that he persuasively inhabits.
From a distinguished literary veteran, a compelling historical novel about callow youth.
George Orwell wrote that for each of us comes a brief period in which “character is fixed forever.” Theroux’s premise is that for Orwell, that period was a 5-year stint in Burma during the early 1920s, where he—then Eric Blair—spent time as a trainee and junior policeman. From the start, Blair stands out from his fellow recruits. He’s bookish, intimidatingly tall (one superior officer won’t speak to him unless he’s seated), a recent graduate of swanky Eton, adept with languages, and intent (to the consternation of many) to learn the languages of the Raj. Theroux’s portrait of young Blair is complex and nuanced. Steeped in the violence of English public schools, Blair is both repulsed by and amenable to casual violence to enforce order and hierarchy. He’s similarly appalled by, dependent on—and implicated in—the paternalistic racism that created and sustains British rule. Blair is torn between hatred of the moral position of the Brits here…and contempt for the often brutal criminals it is his job to pursue. A similar ambivalence—self-disgust, guilt, shameful pleasure—haunts Blair’s sexual life, which consists of discreet visits to brothels, liaisons with Burmese women in his employ, and an affair with the wife of another Brit. Theroux nimbly weaves in episodes Orwell would write about in Burma Days, “Shooting an Elephant,” and other works. The result is in many ways an old-fashioned novel—large in scale, slowish to build—but one that exemplifies the best virtues of such novels: steadily accruing momentum and depth, rich detail, psychological intricacy, and immersion. Best of all, the big canvas allows Theroux to depict a Blair whose wounds and offenses and flaws and guilty knowledge are changing him as we watch. The battered, self-loathing man who limps home at the end of the five years is recognizably on the cusp of being Orwell: keen-eyed, morally complex, skeptical of authority and what it allows—or requires—of those who wield it.
Theroux is always great with setting; here it’s not just Burma but the mind of Orwell that he persuasively inhabits.Pub Date: Feb. 6, 2024
ISBN: 9780063297548
Page Count: 400
Publisher: Mariner Books
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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