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SURVIVOR SONG

A prescient, insidious horror novel that takes sheer terror to a whole new level.

When a virulent and potent form of rabies upends life as we know it in Massachusetts, a pregnant woman and her pediatrician must fight for survival.

Tremblay reached rare new highs in the horror genre with the superbly creepy novel The Cabin at the End of the World (2018) and the Twilight Zone–esque story collection Growing Things (2019). Now, in the midst of a real-life health crisis, Tremblay delivers an eerily prophetic story about a mass outbreak of a rage-inducing virus and the havoc that ensues—basically, he's gone full-on Stephen King by way of 28 Days Later. The story opens in a small, woodsy community south of Boston where what seemed like a relatively mild rabies problem has jumped to humans, who are driven to violent rages and overtaken by a compulsion to bite as many other victims as possible to spread the disease before they eventually succumb and die within a short time. One of our protagonists is Natalie, a very pregnant woman whose husband is violently murdered by one of the outbreak victims right before her eyes. Desperate, bitten, and infected herself while also in shock, she reaches out to her pediatrician, Dr. Ramola “Rams” Sherman, to help her get a dose of the rabies vaccine before she has the baby or succumbs to the illness. Now it’s a race against time to save Natalie and the baby, all while communities are being ravaged by violence. Meanwhile, the outbreak is exacerbated by “a myopic, sluggish federal bureaucracy further hamstrung by a president unwilling and woefully unequipped to make the rational, science-based decisions necessary.” Encounters with well-meaning strangers and near-death escapes are punctuated by Natalie’s sweet recorded messages to her unborn child. A cinematic scope, scenarios grounded in the real world, and a breathless pace make this thriller one of the must-read titles of the summer.

A prescient, insidious horror novel that takes sheer terror to a whole new level.

Pub Date: July 7, 2020

ISBN: 978-0-06-267916-1

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: April 14, 2020

Kirkus Reviews Issue: May 1, 2020

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WE ARE ALL GUILTY HERE

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

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More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.

In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

Pub Date: Aug. 12, 2025

ISBN: 9780063336773

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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