The author’s love for a flawed-but-deep-down-okay dude, plus his amazing eye for detail, make this one of the finest rock...
Is it possible to adore a rock star who has been known to throw watermelons at concertgoers, defecate onstage behind an amplifier and purposefully cut his bare chest with a shard of glass? You betcha.
Born and raised in Nowheresville, Mich., James Osterberg was every mother’s dream: brilliant, charismatic, an all-around good guy. But during high school, Jimmy took up the drums and decided that playing loud was more fun than being an all-around good guy. He joined a band, some music-making thugs introduced him to mind-bending drugs, and before long, our hero was front man for a dumb but charming group called The Stooges. Jimmy Osterberg became Iggy Pop, and Iggy Pop became one of the most iconic musical figures of the late ’60s and early ’70s. But those drugs took their toll, and Ig’s career turned into a peaks-and-valleys mess. He betrayed friends, antagonized audiences, alienated supporters like David Bowie and yet found time to cut a batch of records that defined the punk era and made an indelible imprint on rock that resonates today. Music writer Trynka makes a solid case for Iggy’s anointment as rock divinity. With The Stooges and on his own, he created some terrific music—“I Wanna Be Your Dog,” “Lust for Life,” “The Passenger” and the entire Metallic K.O. album, for instance—though he’s definitely an acquired taste, and a good chunk of his catalogue is all but unlistenable. The author’s enthusiastic, lucid song analysis encourages readers to rethink the rougher material. Unashamedly enamored of his subject, he’s even able to make Iggy’s bad behavior—and there was tons of it—seem acceptable and even enchanting.
The author’s love for a flawed-but-deep-down-okay dude, plus his amazing eye for detail, make this one of the finest rock bios of recent memory: Music and pop culture fans will dig it even if they don’t dig Ig.Pub Date: April 10, 2007
ISBN: 978-0-7679-2319-4
Page Count: 352
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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