An irrepressible Florida frolic filled with lost dreams, forlorn love, and horror movie lore.
A West Palm Beach story about a boy obsessed with a horror movie star.
As Wilborn’s latest novel opens, lanky 17-year-old Michael Donnelly has already crossed the line. The son of Donnelly Avionics CEO and West Palm Beach millionaire Alex Donnelly, young Michael is a horror film fan, obsessed with the works of director Mario Bava, the “Fellini of gore,” the mind behind such masterpieces as Kill Baby Kill and Blood and Black Lace. Unfortunately, Michael is also obsessed with up-and-coming horror movie star Dawn Karston, to whom he’s mailed what he considers movie storyboards worthy of her artistry but law enforcement would consider death threats (Wilborn’s novel takes place in the 1980s, when parents and cops alike have movie-obsessed John Hinckley’s attempted assassination of President Ronald Reagan fresh on their minds). Faced with the hard facts, and knowing that both he and Michael are still reeling from the suicide of Michael’s mother, Crystal (“the loss of a woman they both loved,” he reflects, “hadn’t brought them closer together”), Alex decides to have Michael committed to Palmdale Haven for the three weeks Dawn Karston is filming Swamp Fiend II in the nearby Everglades. Michael, “a gawky mantis of a kid,” learns of this plan and goes on the run with his father’s credit card and soon falls in with blustering Cavanaugh Reilly and his lover, Lola, who promise to help smuggle Michael onto the Swamp Fiend set before his father’s private investigator finds him—although, to up the ante in a relentlessly clever plot, they’re also thinking of double-crossing him before the money runs out. It’s an antic, very Floridian tale, populated with larger-than-life characters and full of Carl Hiaasen–style dry humor and Elmore Leonard–style sharp descriptions. The characters all have penchants for funny one-liners, and a kind of zany logic binds their very strange separate worlds. Wilborn packs a lot of fun and human insight into a slim number of pages.
An irrepressible Florida frolic filled with lost dreams, forlorn love, and horror movie lore.Pub Date: June 8, 2022
ISBN: 978-1-940300-48-1
Page Count: 306
Publisher: St. Petersburg Press
Review Posted Online: Dec. 18, 2021
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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