by Paula Ayer ; illustrated by Danielle Arbour ‧ RELEASE DATE: March 15, 2015
A celebration of independence that will have soon-to-be kindergartners counting all the ways they are ready for school.
One little girl tells readers the many things she knows how to do and the ways those everyday activities help her to be ready for kindergarten.
“Whoosh on my jacket. Smoosh on my shoes. Dressing myself. I’m getting ready! // Looking at signs. Calling out letters. Finding some words. I’m ready to learn.” Painting and cutting help her fingers get ready to work; exuberant play outside gets her body ready to move. Her imagination gets a workout at the beach baking a sand cake. But some things are not so easy, like sharing with friends, though she’s ready to try apologizing. Finally, the first day of kindergarten arrives. She toasts some bread, pours some milk, and then is off. “I think I’m ready!” Bright colors and an ever present beloved stuffed mouse will keep readers’ attention. Arbour’s little girl has brown hair, light-brown skin, and a delightfully upturned little nose. Observant readers will catch glimpses of Mom and Dad and realize she is biracial, though adults are treated rather like those in the “Peanuts” cartoons—this is all about a little girl’s determination and pride in her accomplishments.
A celebration of independence that will have soon-to-be kindergartners counting all the ways they are ready for school. (Picture book. 3-5)Pub Date: March 15, 2015
ISBN: 978-1-55451-704-6
Page Count: 24
Publisher: Annick Press
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
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by Roxane Brouillard ; illustrated by Giulia Sagramola ; translated by Simon de Jocas & Paula Ayer
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by Nadine Robert ; illustrated by Gérard DuBois ; translated by Paula Ayer
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by Michaël Escoffier ; illustrated by Amandine Piu ; translated by Paula Ayer
by Savannah Guthrie & Allison Oppenheim ; illustrated by Eva Byrne ‧ RELEASE DATE: Sept. 12, 2017
Skip it
This book wants to be feminist.
Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.
Skip it . (Picture book. 3-5)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2603-3
Page Count: 32
Publisher: Abrams
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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More by Savannah Guthrie
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by Savannah Guthrie & Allison Oppenheim illustrated by Eva Byrne
by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton ‧ RELEASE DATE: Oct. 5, 2011
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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More by Bob Marley
BOOK REVIEW
by Bob Marley ; adapted by Cedella Marley ; illustrated by Alea Marley
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by Bob Marley ; adapted by Cedella Marley ; illustrated by John Jay Cabuay
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by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton
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