The characters and motivations lack balance, but the storytelling and Daly’s voice are top-drawer.
Daly’s debut novel explores how interpersonal relationships wax and wane following the disappearance of a local child.
Lisa Kallisto is one of those overworked, overscheduled mothers who never secure enough sleep at night. After getting her three kids off to school, working all day as the manager of a charitable animal shelter and taking care of her household, she’s lucky to get a few minutes to herself. So when her daughter’s friend Lucinda turns up missing after she was supposed to spend the night at Lisa’s home, Lisa is full of blame and self-loathing. And she’s not the only one who finds herself at fault: Most of Lucinda’s family, the police and even her own husband, Joe, think Lisa should have paid more attention to what the two young teens were doing. Now, it looks like the kidnapper, who has already abducted one other girl, is at it again, and Lisa is trying to put the pieces together. So is Joanne Aspinall, an investigator with the local police in the small English town where both Lisa’s and Lucinda’s families live, and Joanne’s finding that things are growing more and more curious as the pieces to the puzzle refuse to fit together. Daly has a nice writing style: It’s casual, readable and full of natural-sounding dialogue. Readers will like Lisa, the protagonist, but most likely be puzzled at her insistence (and that of others around her) that it’s all her fault. That hole in the basic premise doesn’t constitute a fatal flaw, but if Daly really wanted Lisa to have her hands dirty, she could have made her part in the proceedings stronger. As it is, readers may find themselves puzzled over the degree of angst and self-recrimination that hovers around Lisa throughout the book. And Joanne, although likable, comes off as weak and sports an irritating habit of turning her phone off, meaning she misses vital calls.
The characters and motivations lack balance, but the storytelling and Daly’s voice are top-drawer.Pub Date: Sept. 3, 2013
ISBN: 978-0-8021-2162-2
Page Count: 256
Publisher: Grove
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s...
The FBI hires an aging child actor to go undercover in a West Virginia prison to extract vital information from a convicted money launderer who’d rather keep his head down.
Tommy Jump’s best days onstage are probably behind him. At 27, he’s too old to play children or even teenagers. But as his old schoolmate Danny Ruiz, who’s now with the FBI, assures him, he’s not too old to earn a fat paycheck by playing the role of Peter Lenfest Goodrich, the high school history teacher who reacted to a bank’s plans to foreclose on his mortgage by robbing the bank and then getting caught. Danny is convinced that Tommy’s just the person to worm himself into the confidence of Mitchell Dupree, whose job as an executive in the Latin American division at Union South Bank was seriously compromised when he laundered millions for El Vio, the fearsome, half-blind boss of the New Colima Cartel. Mitch has a wife and two children just beginning the long wait outside for him to serve his time, and although he’s arranged for the documentary evidence he assembled against El Vio to be turned over to the authorities if anything untoward happens to him, he’s not about to upset the apple cart by talking out of turn—unless of course it’s to innocuous Pete Goodrich, who’ll be serving time alongside him in the minimum security Morgantown Prison as soon as he pleads guilty and bids a tearful farewell to Amanda Porter, Tommy’s actual fiancee, who’s just found out she’s pregnant. After all, Tommy’s been acting professionally for most of his life, and the FBI will spring him on a moment’s notice if he gets into trouble, so what could possibly go wrong? Fans of Parks’ well-oiled thrillers (Closer than You Know, 2018, etc.) won’t even bother to ask; they’ll be too busy licking their chops anticipating the twists that are bound to come.
The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s expertly laid traps before they know what’s happening.Pub Date: March 12, 2019
ISBN: 978-1-5247-4353-6
Page Count: 384
Publisher: Dutton
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
A Gone Girl–esque confection with villainy and melodrama galore.
A wealthy woman with a handsome husband is preyed on by a ruthless con artist.
One day at the gym, Amber Patterson drops the magazine she’s reading between her exercise bike and that of the woman who happens to be beside her, Daphne Parrish. As she bends to pick it up, Daphne notices that it’s the publication of a cystic fibrosis foundation. What a coincidence—Daphne’s sister died of cystic fibrosis, and, why, so did Amber’s! “Slowing her pace, Amber wiped her eyes with the back of her hand. It took a lot of acting skills to cry about a sister who never existed.” Step one complete. “All she needed from Daphne was everything.” Everything, in this case, consists of Daphne’s outlandishly wealthy and blisteringly hot husband, Jackson, and all the real estate that comes with him; Daphne can definitely keep her two whiny brats. Amber hates children. But once she finds out that Daphne’s failure to give Jackson a male heir is the main source of tension in the marriage, she sees exactly how to make this work. Amber’s constant, spiteful inner monologue as she plays up to Daphne is the best thing about this book. For example, as Daphne talks about the many miseries her sister Julie went through before her death, Amber is thinking, “At least Julie had grown up in a nice house with money and parents who cared about her. Okay, she was sick and then she died. So what? A lot of people were sick. A lot of people died.…How about Amber and what she’d gone through?” Meanwhile, poor, stupid Daphne is so caught up in the joy of finally having a friend, she seems to be handing Jackson to her on a platter. Constantine’s debut novel is the work of two sisters in collaboration, and these ladies definitely know the formula.
A Gone Girl–esque confection with villainy and melodrama galore.Pub Date: Oct. 17, 2017
ISBN: 978-0-06-266757-1
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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