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A DASH OF ROMANCE

A charming, character-driven work that will appeal to 21st-century romantics.

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A series-starting Regency romance about a vicar’s daughter faking an engagement, followed by a series of short stories.

Each book in Golden’s new series is an anthology containing a novel and a series of flash-fiction tales that originally appeared in the author’s monthly newsletter. All center on themes of love in the Regency or Georgian era, and the stories feature Trang’s occasional black-and-white illustrations, which often depict specific characters. The titular novel is a Regency romance with protagonist Abbie Walsley, the youngest of a vicar’s four daughters in the sleepy but charming town of Sidvale in England’s Devonshire County. She’s a writer, concocting adventures of her ideal knight in shining armor, “Sir Bartholomew,” while providing tips as the town’s advice columnist, “Mrs. Button,” in the local newspaper. As she’s financially stable, she has no urgent need to marry, and she resolves not to do so unless it’s for love. When Viscount Lord Dunley proposes to her, under orders from his mother, Abbie panics and lies, saying she’s already betrothed to Sir Bartholomew. In an unexpected turn of events, Dunley falsely believes that Percy Randall, the philandering second son of the Earl of Camforth, is Abbie’s betrothed. As Abbie and Percy attempt to preserve their reputations, they strike a mutually beneficial deal—but soon they must contend with their growing mutual attraction. Golden creates tangible chemistry between the apparent London rake and the outwardly drab vicar’s daughter. She also importantly acknowledges the era’s diversity with the inclusion of Leila Owen, a woman of East Indian origin who’s a member of the literary society that Abbie attends, and effectively shows how neither Abbie nor Percy match the stereotypical first impressions they have of each other. Overall, the novel’s greatest strength is its steady, careful character development. By comparison, the flash-fiction pieces, though entertaining, often feel rushed. However, the author shows great creativity with these vignettes, particularly “Midsummer,” about two lovers waiting to be reunited, and “Haunted,” a gothic-horror–inspired tale of a romantic encounter.

A charming, character-driven work that will appeal to 21st-century romantics.

Pub Date: July 18, 2020

ISBN: 978-1-73523-600-1

Page Count: 337

Publisher: Self

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: March 1, 2022

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JUST FRIENDS

A romance that could have used significant rethinking.

Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.

Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.

A romance that could have used significant rethinking.

Pub Date: March 3, 2026

ISBN: 9781668095188

Page Count: 320

Publisher: Atria

Review Posted Online: Feb. 16, 2026

Kirkus Reviews Issue: March 15, 2026

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CHERRY BABY

Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.

A second-chance romance from the author of Slow Dance (2024) and the Simon Snow Trilogy.

Cherry is fat. There are other things to know about Cherry, but this fact is essential to how she sees herself and—she knows—essential to how other people see her. And now that her husband’s hugely popular webcomic is a movie, she not only has to endure people confusing her with the character that’s based on her, but also the knowledge that the actor playing this character is wearing a fat suit. This pain is exacerbated by the fact that her marriage is over. It’s at this rock-bottom moment that her college crush reenters her life…This is a book about being fat, and Rowell does a great job of depicting what internalized fatphobia looks like. “Cherry was so used to thinking about being fat, she hardly even noticed that she was doing it. She was so used to thinking about being fat, she never thought about it.” Observations like this will resonate with a lot of readers, as will Cherry’s complicated feelings about weight-loss drugs. This is also a romance and, as a romance, it’s kind of all over the place. It’s totally realistic for Cherry to wonder if Russ—the guy from college—never pursued her because of her weight. This is a conflict that feels true. What’s less believable is the way he reacts when he sees a trailer for Cherry’s husband’s movie. It’s clear that he didn’t get that this movie was going to be a blockbuster. In short, Russ freaks out, and it’s not at all clear why. As for Cherry’s husband, the way she feels about him at the beginning of the book is totally disconnected from the way she feels about him in the novel’s latter half. It’s normal to have complicated feelings about the end of a marriage, of course, but there’s no emotional throughline to help the reader understand why Cherry’s feelings change so dramatically.

Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.

Pub Date: April 14, 2026

ISBN: 9780063380264

Page Count: 416

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 20, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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