Cast’s fans should find much to be pleased with in this new venture.
The lives of three disparate young people collide in this post-apocalyptic fantasy.
Eighteen-year-old Mari should succeed her mother as the healer of the matriarchal Earth Walkers but for her father’s blood that also courses through her veins, a secret that the blonde, pale-skinned girl and her dark-skinned mother go to great lengths to conceal. Twenty-three-year-old blond, pale-skinned Nik, who hails from a rival people known for enslaving Mari’s, should become Sun Priest of the Tribe when his father retires, but he has yet to be chosen as a Companion by a canine. Dead Eye, a 21-year-old mutant Skin Stealer, is a rebel, a self-proclaimed God with gruesome vision for the future of his people. In this series kickoff, Cast weaves together the stories of Mari, Nik, and Dead Eye, offering readers a new fantasy world steeped in magic that’s grounded by a hodgepodge of tropes ranging from Greek mythology to New Age mysticism. The intersection of Mari’s and Nik’s stories dominates the hefty novel. Readers will enjoy watching these two characters, who share a palpable chemistry, come into their own. Dead Eye’s story is far more disturbing, portending a darkness that will become more prevalent in future installments. While Cast is a bit heavy-handed spelling it out for readers, at its core this is a story about embracing and finding strength in difference. Though skin is vital to the story, modern racial categories do not seem to exist.
Cast’s fans should find much to be pleased with in this new venture. (Fantasy. 14 & up)Pub Date: Oct. 18, 2016
ISBN: 978-1-250-10072-6
Page Count: 608
Publisher: St. Martin's Griffin
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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