Whether readers find it brilliantly original or obscurely self-indulgent, Russon’s risk-taking should spark the best kind of...
This odd, convoluted fable feels incomplete and isn’t an easy read, but its haunting imagery has staying power.
Claire’s first treasure was the music box Uncle Charlie gave her. When he’s badly injured in a car accident he’s unlikely to survive, Claire retreats into a world that mirrors her own. Everything and everyone in this looking-glass world is broken, including the music box that Clara, Claire’s counterpart, buys with an IOU. Here, Claire escapes and eventually comes to terms with violent mortality. Its dwellings, like dollhouses, lack walls; denizens buy and sell broken detritus in a city broken in half by a wild, widening river. The powerful conceit almost sustains the novel but can’t replace what’s missing: characters readers care about. Readers never meet Charlie or see him interact with Claire, so what his loss means to her remains unclear, blunting the impact of her fugue. Readers aren’t allowed to find their bearings in Claire’s world before they’re plunged into Clara’s broken one (populated with far more vivid characters). The style clamors for readers’ attention—conceptual quirks replace chapters; narration switches among first, second and third person—further distancing them from the tale being spun.
Whether readers find it brilliantly original or obscurely self-indulgent, Russon’s risk-taking should spark the best kind of literary debate. (author’s note) (Fiction. 12 & up)Pub Date: July 9, 2013
ISBN: 978-0-385-74352-5
Page Count: 176
Publisher: Delacorte
Review Posted Online: May 1, 2013
Kirkus Reviews Issue: May 15, 2013
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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