An earnest invitation to reassess personal priorities.
A celebration of caring and community within our often bloodless digital world.
Davis, co-founder of the Democracy Policy Network and Getaway, which offers vacation escapes to tiny, off-the-internet cabins, expands his recent Harvard commencement speech into a heartfelt argument in support of the “Counterculture of Commitment” and rejection of the “Culture of Open Options.” Characterized by infinite browsing and fluid attachment to any identity, place, or community, the Culture of Open Options can yield certain pleasures, such as flexibility and novelty, but also leads to decision paralysis, shallowness, and isolation, “the malaise of having no connection to anything, of having no expectations set for you.” Drawing on abundant examples of “long-haul heroes” from friends, family, public figures (Martin Luther King Jr., Ken Burns, sports champions, and political activists, among many others), and myriad interviewees, Davis makes a persuasive case for dedication as “an alternative path of life.” He acknowledges that commitment may generate fears: “If we commit to something, we will later regret having not committed to something else instead,” or we fear undermining “our identity, reputation, and sense of control.” But he asserts that rather than threaten identity, commitment enhances it, bestowing the “gift of solidarity” within a shared moral culture rather than affiliation with the kind of micro-identities found in Twitter communities and on Reddit boards. Davis laments that in the Culture of Open Options, education focuses on training for personal advancement rather than on cultivating attachments or honing professionalism. “To be educated for attachment,” he writes, “is to learn the art of settling—into particular professions, crafts, causes, and communities—and to find there the peace of reverence and duty.” Commitments foster looking out for others rather than only for ourselves: “They structure our world, giving us authority to respect, myths in which to see ourselves, and communities in which we have a voice.”
An earnest invitation to reassess personal priorities.Pub Date: May 4, 2021
ISBN: 978-1-982140-90-8
Page Count: 272
Publisher: Avid Reader Press
Review Posted Online: May 3, 2021
Kirkus Reviews Issue: May 15, 2021
An unflinching self-portrait.
The tumultuous life of a bisexual, autistic comic.
In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.
An unflinching self-portrait.Pub Date: June 6, 2023
ISBN: 9780593582503
Page Count: 288
Publisher: Harmony
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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