by Pete Hautman ‧ RELEASE DATE: May 14, 2013
Hautman continues to write mind-expanding adventures and nail-biting suspense to probe big questions of faith, destiny and...
Middle books in trilogies are tricky, but this taut science-fiction thriller pulls it off with panache.
The mysterious teenage girl Lah Lia keeps reappearing at pivotal moments of Tucker Feye’s chaotic adventures across time; now, following her own journey through the “disko” portals sheds clarity upon the various rival factions contending through the forthcoming epochs. From her pampered childhood, raised as a sacrifice, to the end of human history, Lia witnesses the early days of the Boggsian technological cult and their transcendence into the spectral tourist Klaatu; the heyday of digitocratic Medicant healers and their persecution at the hands of the fanatically anti-numerate Lah Sept; and the rebellion of the ruthless Yar women against the corrupt priests of her own time. Lia matures from a clever but passive observer to a tough-minded, compassionate and principled actor, determined to take charge of her own life—even if that means rewriting the past. While by no means a stand-alone, the narrative intersperses chapters recounting Tucker’s interrogation by Cold War–era Arctic explorers to recap important details and ground the more exotic future scenarios. This device also drives the plot, as the two protagonists strive independently to reconnect. When they meet again in the final pages, it is clear that the past is beginning to unravel, and all history is about to break loose.
Hautman continues to write mind-expanding adventures and nail-biting suspense to probe big questions of faith, destiny and personal responsibility. The next book can’t come soon enough. (Science fiction. 12 & up)Pub Date: May 14, 2013
ISBN: 978-0-7636-5404-7
Page Count: 368
Publisher: Candlewick
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by E. Lockhart ‧ RELEASE DATE: May 13, 2014
Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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