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TELEGRAMS OF THE SOUL

SELECTED PROSE OF PETER ALTENBERG

Winning expressions of pleasure, at once lyrical, incisive and funny.

Short prose pieces by a Viennese eccentric gifted with the lost art of high sentimentality.

These tales and essays, some only a few lines long, convey the fleeting intoxications of a fin-de-siècle idler. A dedicated admirer of the fair sex—especially, and no doubt disturbingly for many modern readers, as represented by 13-year-old charmers—Altenberg (1859–1919) passed his life in the coffee shops and brothels of Vienna. The pieces he wrote about his experiences there were admired by, among others, Thomas Mann, Arthur Schnitzler and Franz Kafka. A perennial enthusiast, the author cannot write four sentences running without resorting to the exclamation point. Rapture is triggered by the mundane: a dock in the sun, artificial flowers, a turn of phrase. His passion for women and young girls is exalted by attentive and unfailing compassion. In one piece, learning of a working-class nymphet’s passion for silk swatches, he obtains a box of them from the manufacturer. His ensuing description of the party she creates for her fellow urchins, presiding over their admiration of the rags like a queen, ends with the child’s peremptory dismissal of her benefactor. Another series recounts the everyday life of the Ashanti inhabitants of an African village transported to serve as a tourist attraction in the Viennese zoo. Altenberg developed close friendships with many of the Ashanti; his portraits of them are as sensitive as his renderings of family members, literary and professional acquaintances, and prostitutes. While the prose here is often overblown, it proceeds from genuine excesses of feeling; the writer has been carried away, and in almost every case, he takes the reader with him.

Winning expressions of pleasure, at once lyrical, incisive and funny.

Pub Date: May 28, 2005

ISBN: 0-9749680-8-0

Page Count: 148

Publisher: Archipelago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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THE GOD OF SMALL THINGS

In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a...

A brilliantly constructed first novel that untangles an intricate web of sexual and caste conflict in a vivid style reminiscent of Salman Rushdie's early work.

The major characters are Estha and Rahel, the fraternal twin son and daughter of a wealthy family living in the province of Kerala. The family's prosperity is derived from a pickle factory and rubber estate, and their prideful Anglophilia essentially estranges them from their country's drift toward Communism and their ``inferiors' '' hunger for independence and equality. The events of a crucial December day in 1969—including an accidental death that may have been no accident and the violent consequences that afflict an illicit couple who have broken "the Love Law''—are the moral and narrative center around which the episodes of the novel repeatedly circle. Shifting backward and forward in time with effortless grace, Roy fashions a compelling nexus of personalities that influence the twins' "eerie stealth'' and furtive interdependence. These include their beautiful and mysteriously remote mother Ammu; her battling "Mammachi'' (who runs the pickle factory) and "Pappachi'' (an insufficiently renowned entomologist); their Oxford-educated Marxist Uncle Chacko and their wily "grandaunt'' Baby Kochamma; and the volatile laborite "Untouchable'' Velutha, whose relationship with the twins' family will prove his undoing. Roy conveys their explosive commingling in a vigorous prose dominated by odd syntactical and verbal combinations and coinages (a bad dream experience during midday nap-time is an "aftermare'') reminiscent of Gerard Manly Hopkins's "sprung rhythm,'' incantatory repetitions, striking metaphors (Velutha is seen ``standing in the shade of the rubber trees with coins of sunshine dancing on his body'') and sensuous descriptive passages (``The sky was orange, and the coconut trees were sea anemones waving their tentacles, hoping to trap and eat an unsuspecting cloud'').

In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a novel, and a truly spectacular debut. (First serial to Granta)

Pub Date: May 1, 1997

ISBN: 0-679-45731-3

Page Count: 368

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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THE LOST WORLD

Back to a Jurassic Park sideshow for another immensely entertaining adventure, this fashioned from the loose ends of Crichton's 1990 bestseller. Six years after the lethal rampage that closed the primordial zoo offshore Costa Rica, there are reports of strange beasts in widely separated Central American venues. Intrigued by the rumors, Richard Levine, a brilliant but arrogant paleontologist, goes in search of what he hopes will prove a lost world. Aided by state-of- the-art equipment, Levine finds a likely Costa Rican outpostbut quickly comes to grief, having disregarded the warnings of mathematician Ian Malcolm (the sequel's only holdover character). Malcolm and engineer Doc Thorne organize a rescue mission whose ranks include mechanical whiz Eddie Carr and Sarah Harding, a biologist doing fieldwork with predatory mammals in East Africa. The party of four is unexpectedly augmented by two children, Kelly Curtis, a 13-year-old "brainer," and Arby Benton, a black computer genius, age 11. Once on the coastal island, the deliverance crew soon links up with an unchastened Levine and locates the hush-hush genetics lab complex used to stock the ill- fated Jurassic Park with triceratops, tyrannosaurs, velociraptors, etc. Meanwhile, a mad amoral scientist and his own group, in pursuit of extinct creatures for biotech experiments, have also landed on the mysterious island. As it turns out, the prehistoric fauna is hostile to outsiders, and so the good guys as well as their malefic counterparts spend considerable time running through the triple-canopy jungle in justifiable terror. The far-from-dumb brutes exact a gruesomely heavy toll before the infinitely resourceful white-hat interlopers make their final breakout. Pell-mell action and hairbreadth escapes, plus periodic commentary on the uses and abuses of science: the admirable Crichton keeps the pot boiling throughout.

Pub Date: Sept. 28, 1995

ISBN: 0-679-41946-2

Page Count: 480

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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