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SMUGGLER NATION

HOW ILLICIT TRADE MADE AMERICA

An illuminating look at the historical impact of America’s illicit economy.

Andreas (Political Science/Brown Univ.; Blue Helmets and Black Markets: The Business of Survival in the Siege of Sarajevo, 2008, etc.) explores American history and its relationship with smuggling and illegal trade and “how these illicit flows—and the campaigns to police them—defined and shaped the nation.”

In this well-researched history, the author examines illegal commerce in the United States from its earliest days into the modern era. In colonial times, citizens strenuously and at times violently resisted attempts to curb widespread illegal trade of such products as molasses and wine, and even landmark events such as the Boston Tea Party were influenced by smuggling issues. Andreas shows how American history has been profoundly affected by the subtle (and sometimes, as in the case of Prohibition, not-so-subtle) effects of illegal trade and by government attempts to control it. The author is most engaging when he focuses on key events, such as when Gen. Andrew Jackson recruited smuggler and pirate Jean Laffite to help defend New Orleans during the War of 1812. The section on complexities of the slave trade is especially eye-opening. The final third of the book, focusing in large part on drug smuggling and America’s long-running drug war, is skillfully presented and contextualized: “[F]ar from deterring the drug trade,” writes the author, “American-led supply suppression campaigns ended up mostly dispersing and rerouting it.” Though Andreas’ prose is occasionally a bit on the academic side, he makes a strong case that America is not only a smuggler nation, but also “an ever-expanding police nation.”

An illuminating look at the historical impact of America’s illicit economy.

Pub Date: Feb. 1, 2013

ISBN: 978-0-19-974688-0

Page Count: 448

Publisher: Oxford Univ.

Review Posted Online: Oct. 16, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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THE WOMEN WHO MADE NEW YORK

An eclectic assortment of women make for an entertaining read.

An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.

In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.

An eclectic assortment of women make for an entertaining read.

Pub Date: Oct. 25, 2016

ISBN: 978-1-58005-653-3

Page Count: 304

Publisher: Seal Press

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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