A caustic but relatable cartoon.
This outrageous and topical graphic novel collects the four-issue continuation of Bagge’s alternative comic series Hate, which had its heyday in the 1990s.
The book alternates between the characters’ young adulthoods in 1990s Seattle (in black and white) and their middle-age years in the 2020s in the suburbs of Seattle and New Jersey (in color). We see the formative moments of a group of disaffected friends—maybe just associates—and how life has changed or broken them. Central figure Buddy begins as a sarcastic rabble-rouser who teams up with his trouble-making and troubled roommate, Stinky, to ruin an indie label showcase at a record store. The next day, Stinky tells George, their new roommate (who is Black and antisocial while the others are white), that Buddy is a racist, which Buddy doesn’t deny. In the present, many people, including Buddy’s wife, Lisa (who met Buddy the night of the record store event and helped ruin it), suspect Buddy of being a MAGA supporter, which he denies—without supporting Democrats. Mostly Buddy just hates everything, except his family. Bagge presents loosely connected vignettes featuring a large cast of characters in Buddy’s orbit, which pays off more for longtime Hate fans than for casual readers, but seeing the past’s echoes in the present delivers a pleasing symmetry. This is exemplified when Buddy and Lisa worry about their son befriending an unhoused person and casual thief named Spam; after some amateur sleuthing, they discover Spam’s real name is Leonard, which was also the real name of Stinky, who was an aggressive thief with a taste for weapons and probably more trouble than he was worth as a friend. Bagge keenly and humorously observes our divided and divisive culture, grounding the work in his affinity for family. His art is elastic and expressive, and the colored pages are rich and sumptuous.
A caustic but relatable cartoon.Pub Date: July 8, 2025
ISBN: 9798875000485
Page Count: 124
Publisher: Fantagraphics Books
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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