Here’s hoping readers who are similarly challenged in the behavior department will get both messages: Teachers are people,...
A behaviorally challenged little boy for whom paper airplanes are a particular weakness learns to see his teacher as a person when he meets her outside the classroom.
Bobby’s teacher stomps, roars and takes away recess (not without reason). The little boy’s one refuge is the park—but so is Ms. Kirby’s. In a marvelously illustrated, wordless spread, Brown shows how both Ms. Kirby and Bobby feel when their private moments are interrupted by the other. But in a show of maturity, Bobby understands that running away (no matter how much he may want to) will only make things worse. Some painful small talk and a hat rescued from the wind slowly lead the two to deeper interaction. And when Bobby takes her to his favorite high overlook, Ms. Kirby, who has slowly been losing her green skin, spiky teeth, hippolike nostrils and hulking bulk, silently hands him a piece of paper. The flight is epic. Afterward, Ms. Kirby still roars and stomps and frowns upon paper airplanes in class, though she retains her human features (if not her skin color, at least not all the time). The digitally composited and colored India ink, watercolor, gouache and pencil illustrations use a palette of green, shades of tan and brown, aqua and salmon that suits the text’s tongue-in-cheek humor and monster theme, the colors brightening as Ms. Kirby loses her monster-ness.
Here’s hoping readers who are similarly challenged in the behavior department will get both messages: Teachers are people, and they give back what they get. (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-0-316-07029-4
Page Count: 40
Publisher: Little, Brown
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Younger readers will wish that they could toss their heads…or at least that they knew someone who could.
A lonely zombie makes new friends just by being herself—on Halloween.
Quelled by Auntie Departed’s warnings, young Ghoulia has always confined her outdoor play to the walled grounds of Crumbling Manor…until she eavesdrops on some living children and learns about Halloween. Taking advantage of this perfect opportunity to fit in, she sneaks out with her albino greyhound (and gifted hairdresser), Tragedy, for some trick-or-treating. Hearing her name as “Julia,” the costumed children welcome her. But when they compete to see who’s the scariest, Ghoulia forgets herself and does her “special scary move,” tossing her head in the air and catching it in one hand. The children stand wide-eyed through no fewer than three illustrations on three successive pages—and then welcome her with wild delight and agree to keep her secret from the grown-ups. From then on they become regular visitors to Crumbling Manor. In full-color pictures that take up all or most of every page, Cantini depicts her undead urchin Tim Burton–style, with stitched lips, gray skin, and purple shadows beneath huge eyeballs (everyone else appears white—or sheet white). Assisted by suggestive labels (“Creaky steps”; “A spider visiting from the attic”; “Painting of Grandad Coffin”), the manorial setting has an Addams Family vibe and provides just the right spooky setting for this series opener. Halloween-themed activities are included in the backmatter.
Younger readers will wish that they could toss their heads…or at least that they knew someone who could. (Fantasy. 6-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-4197-3293-5
Page Count: 48
Publisher: Amulet/Abrams
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
A few moments shine, but all in all an overstuffed effort.
What with keeping the fridge stocked with slug mush and sour green milk, incidentals such as mud soap and fang paste seem downright ordinary—unlike the consequences of ignoring the emphatic “Don’t”s populating this unorthodox DIY manual: “massive monster tantrums.”
The six-step bedtime instructions are scrawled on wide-ruled school paper, detailing the biracial bunny-slippered protagonist’s superior strategizing skills. If the detailed formula is rigidly adhered to, the rowdy monster will allow itself to go from a soothing ice bath to bedtime story to screeching lullaby to, finally, sleep. OHora’s signature color palette and tongue-in-cheek retro illustrations with a matte finish bring Vega’s uneven story to uproarious life. The sheep sandwich heading for the cavernous maw looks appropriately terrified, in contrast to the tiny terrier worrying the gigantic, furred monster’s knees. From the parents (a shell-shocked black mom cradles her cringing white husband) to the exuberant grizzly-sized, pom-pom–sporting, rainbow-striped monster, the delightful characters revolve around a no-nonsense, brown-skinned child rocking her own pom-pom ’do. Regrettably, Vega tries too hard to be cute. There is a game of “toss-the-slime-ball,” the information that “monsters hate milk unless it’s sour and green and smells like dirty underwear,” and instructions to “read the freakiest, creepiest, scariest story from your bookshelf—screaming where appropriate”—it’s all just too much.
A few moments shine, but all in all an overstuffed effort. (Picture book. 4-6)Pub Date: March 14, 2017
ISBN: 978-0-553-49655-0
Page Count: 40
Publisher: Knopf
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
