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MYTHOMANIA

TALES OF OUR TIMES, FROM APPLE TO ISIS

If you’re a fan of Barthes and of the Umberto Eco of How to Travel with a Salmon, you’ll likely enjoy this modest, minor,...

A deft updating of Parisian semiotics and midcentury cultural criticism for our own time.

Roland Barthes died in 1980, run down by a vehicle in what Walter Benjamin called the capital of the 19th century; having taken some of Benjamin’s ideas and run with them, Barthes was already long renowned for such centrifugal books as Writing Degree Zero and Mythologies. It is the second book that Oxford-based literary scholar Conrad (Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries, 2014, etc.) takes on in this sometimes fresh, sometimes tired look at the hidden structures and unacknowledged tendencies of our own day: why is Apple’s apple an apple, after all? Ah, there we go back to the Garden of Eden, where, Conrad cleverly opines, “the ban imposed by God had nothing to do with the wickedly tasty properties of the fruit: it was an arbitrary demonstration of divine power, like an order not to walk on the grass or feed the pigeons.” As with all cultural criticism, there’s an element of the unworldly in Conrad’s essays: of course the Apple icon on the computer has nothing to do with the biblical story, and who thought it did? There are some tired tropes at work, too, among others laments for the death of the book, which seems to be stubbornly refusing to die even as books are written about its demise. But there are many smart things about Conrad’s argument, too, as when, in a moment reminiscent of John Lennon on the popularity of God, he writes that Steve Jobs—who, it should be said, is far from his only subject here, though a prominent one—“brought about an awakening more permanent and widespread than Billy Graham’s soul-saving campaign.” True enough, even if Conrad seems to take arch delight in tweaking noses as he says so.

If you’re a fan of Barthes and of the Umberto Eco of How to Travel with a Salmon, you’ll likely enjoy this modest, minor, but entertaining rejoinder.

Pub Date: Jan. 10, 2017

ISBN: 978-0-500-29258-7

Page Count: 248

Publisher: Thames & Hudson

Review Posted Online: Oct. 29, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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CHAIN OF EVIDENCE

A TRUE STORY OF LAW ENFORCEMENT AND ONE WOMAN'S BRAVERY

Detroit's story of an undercover sting operation into the Hell's Angels is quick and breezy but insults the reader with its sketchy rendering of a fascinating scenario. One can sympathize with Detroit (a pseudonymous screenwriter), whose account of a police infiltration of the notorious biker gang, naturally invites comparisons with Hunter S. Thompson's authoritative tale. This sparse made-for-TV product pales next to Thompson's searing depictions of life with the Angels. One day in 1977, Orange County police detective Victoria Seele (Detroit uses fictional names throughout the book) accepts an assignment to ride on the back of Clifford Mowery's Harley-Davidson. Mowery, a hardscrabble biker and convict with a long rap sheet, grudgingly offers to serve as an informant in order to stay out of jail. For eight months, the two crisscross Southern California making undercover drug buys from motorcycle-gang members. Seele, with her surfer looks, awkwardly survives parties at which she is the only one not using drugs and not wearing the typical biker garb (denim vest, waist chains, and strap-on buck knife). During one particularly vulgar Angels party, Seele nearly jumps into bed with two other women in order not to blow her cover. Detroit sprays his text with scare phrases, telling us, in case we haven't caught on, that these people are dangerous, and here Seele is risking her life. Occasionally, we are given glimpses into Seele's supposedly deteriorating home life, but like the rest of the details here, these scenes lack the power necessary to instill even a meager visceral attachment to the characters. The pieces (and sources) for a spectacular story are here: leather-clad bikers, courageous cops, and a backdrop of Southern California's sleaziest bars and dustiest back roads. But for all its drama, this is, in the end, forgettable. (Literary Guild selection)

Pub Date: Sept. 1, 1994

ISBN: 0-525-93671-8

Page Count: 272

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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BLOOD OATH

THE HEROIC STORY OF A GANGSTER TURNED GOVERNMENT AGENT WHO BROUGHT DOWN ONE OF AMERICA'S MOST POWERFUL MOB FAMILIES

An insider peep into the New YorkNew Jersey crime networks. With the help of Wagman (The Nazi Hunters, not reviewed), former wiseguy Fresolone begins his gritty confessions of life as a mobster with the hair-raising scene of his own induction ceremony into the Bruno crime family. Fresolone is already working for the Feds and has strapped to his body more than one tape recorder. It is to be the first-ever taping of a Mafia initiation ceremony- -complete with the blood-letting from the initiate's finger. In the old days, Fresolone laments, they used to mop up the blood with fragments of a saint's picture; now they ``make do'' with tissue paper. The Mob was everything the young Fresolone hoped for growing up in the Down Neck section of Newark. Down Neck was controlled by the powerful Bruno family based in Philadelphia, run nominally by the ``reluctant don'' Angelo Bruno, a mild and compromising kind of man. The real power, though, was the fearsome Tony Bananas, with ``Patty Specs,'' i.e. Pasquale Martirano, as his underboss. After Bananas had Bruno assassinated, he assumed control of the Bruno family enterprise and became our hero's employer. The relation was a tense one. In the end, Fresolone seems to have felt intense personal loyalty only to Specs, a man already dying of liver cancer. Fresolone points out that interfamily murder and strife is comparatively rare these days. It is, rather, internal family violence that is the current curse of Mob hierarchies and that seems to have most affected Fresolone. Eventually, his collaboration with the Feds brought in almost 40 major Mob figures, a fact of which he seems genuinely proud, as if it is a just retribution for what he sees as the Mafia's betrayal of its own principles of loyalty and honor. Not a prose masterpiece, but the genuine article as far as Mob documents go. With its personal touch and its relentless detail, it's a solidly alarming read.

Pub Date: Oct. 1, 1994

ISBN: 0-671-77905-2

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1994

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