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THE ROPEMAKER

Dickinson’s new work is a quest fantasy, but not in the heroic mold. Its core is set in a Valley, cut off from the warlike tribes on the northern plains and from the Empire to its south, by barriers fueled by the channeled magic of the area’s people. As the story begins, the defenses that safeguarded the Valley over 20 generations are breaking down. Tilja, her grandmother, and Tahl with his grandfather, travel into the Empire seeking the sorcerer who fixed the original safeguards to request that he renew them. The Empire has changed and is now filled with unexpected dangers and challenges. Dickinson divides his narrative into three sections, each named for a sorcerer. “Asarta” sets the story up, establishing the mythology of the Valley, its history, and a feel for the social mores of the world. “Faheel” tells of the quest through the Empire, its current political and social characteristics, and the nature of magic and validity of its use. “Ramdata” is the concluding section, recounting the return of the four to the Valley, through the chaos caused by the actions of Faheel, the second sorcerer. This is an unusually satisfying fantasy in a world built through the myths and customs of the people who live there. There is a very concrete sense of the geography of the various lands that the characters travel through; even the nature of the magic is based in the land and objects produced by its people. Characterizations are excellent, including the secondary characters (and the horse). Suspense continues to build, with an ending that is harmonious with the plot, setting, and characters. For fantasy fans, a spellbinder. (Fiction. YA)

Pub Date: Nov. 1, 2001

ISBN: 0-385-72921-9

Page Count: 376

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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