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THERE’S A RIOT GOING ON

REVOLUTIONARIES, ROCK STARS, AND THE RISE AND FALL OF ’60S COUNTER-CULTURE

A top-flight interpretation of a time, its music and its strange doings—which still look pretty good compared to now.

A fan’s lucid notes on a time when the hope or fear, depending on one’s viewpoint, of “a violent assault on the established order” occupied minds, megaphones and microphones.

British chronicler Doggett (The Art & Music of John Lennon, 2005, etc.), who is just old enough to remember the ’60s, is comfortable looking at the time through a kaleidoscope and reporting his visions in straightish lines—not easy, given its myriad madcap qualities. Among his exhibits: Allen Ginsberg, who wondrously declared that he would use language to end the Vietnam War (“The poet says the whole war’s nothing but black magic caused by wrong language & authoritatively cancels all previous magic formulas & wipes out the whole war scene without further delay”); Black Panther strategists who studied the lyrics of the man they called Bobbie Dylan as if Talmud, trying to penetrate the honky mind; Abbie Hoffman, howling “Fuck Lyndon Johnson! Fuck Robert Kennedy! And fuck you if you don’t like it!” to an audience of well-groomed liberals. The era made lots of people crazy. On the other hand, it snapped some into sanity, as when, in a marvelous moment, Doggett finds MC5 guitarist Wayne Kramer and singer-songwriter Tim Buckley stumbling into downtown Detroit during a race riot: “My first reaction was just like any red-blooded American kid: ‘Oh boy, a fire!’ But then I remembered what time it was in America.” Doggett dodges through the decade, noting that the Jefferson Airplane members were a pretty conservative lot (listen to “Crazy Miranda”) and giving Paul McCartney wry props for sort of making an effort at being political with his song “Give Ireland Back to the Irish,” which “was less incendiary than Lennon’s contributions to the debate, and even more banal.” Indeed, Doggett does not unduly lionize the rockers who stuck their noses into politics; as future media mogul David Geffen said when asked whether his clients were being monitored, “I don’t think Nixon cares very much.”

A top-flight interpretation of a time, its music and its strange doings—which still look pretty good compared to now.

Pub Date: Sept. 1, 2008

ISBN: 978-1-84767-180-6

Page Count: 608

Publisher: Canongate

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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FRONT ROW AT THE TRUMP SHOW

No one’s mind will be changed by Karl’s book, but it’s a valuable report from the scene of an ongoing train wreck.

The chief White House and Washington correspondent for ABC provides a ringside seat to a disaster-ridden Oval Office.

It is Karl to whom we owe the current popularity of a learned Latin term. Questioning chief of staff Mick Mulvaney, he followed up a perhaps inadvertently honest response on the matter of Ukrainian intervention in the electoral campaign by saying, “What you just described is a quid pro quo.” Mulvaney’s reply: “Get over it.” Karl, who has been covering Trump for decades and knows which buttons to push and which to avoid, is not inclined to get over it: He rightly points out that a reporter today “faces a president who seems to have no appreciation or understanding of the First Amendment and the role of a free press in American democracy.” Yet even against a bellicose, untruthful leader, he adds, the press “is not the opposition party.” The author, who keeps his eye on the subject and not in the mirror, writes of Trump’s ability to stage situations, as when he once called Trump out, at an event, for misrepresenting poll results and Trump waited until the camera was off before exploding, “Fucking nasty guy!”—then finished up the interview as if nothing had happened. Trump and his inner circle are also, by Karl’s account, masters of timing, matching negative news such as the revelation that Russia had interfered in the 2016 election with distractions away from Trump—in this case, by pushing hard on the WikiLeaks emails from the Democratic campaign, news of which arrived at the same time. That isn’t to say that they manage people or the nation well; one of the more damning stories in a book full of them concerns former Homeland Security head Kirstjen Nielsen, cut off at the knees even while trying to do Trump’s bidding.

No one’s mind will be changed by Karl’s book, but it’s a valuable report from the scene of an ongoing train wreck.

Pub Date: March 31, 2020

ISBN: 978-1-5247-4562-2

Page Count: 368

Publisher: Dutton

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE STONEWALL READER

A bold rallying cry that should help in the continuing fight for LGBTQ rights. Read alongside Baumann’s Love and Resistance...

A showcase of the work of activists and participants in the Stonewall uprising, published to coincide with the 50th anniversary.

With his discerning selections, editor Baumann (editor: Love and Resistance: Out of the Closet into the Stonewall Era, 2019, etc.)—assistant director for collection development for the New York Public Library and coordinator of the library’s LGBT Initiative—provides a street-level view of the Stonewall uprising, which helped launch the LGBTQ rights movement in the United States. Through his skillful curation, he offers a corrective for what is too often a sanitized, homogenous, and whitewashed portrayal of academics and professionals about the event sometimes termed “the hairpin drop heard around the world.” By gathering vibrant and varied experiences of diverse contributors, the collection reflects the economic, gender, racial, and ethnic complexity of the LGBTQ community at a time when behaviors such as same-sex dancing were criminalized. Featuring essays, interviews, personal accounts, and news articles, Baumann’s archival project accurately and meticulously captures an era of social unrest; the conversation about institutional discrimination and inequality presented here remains as revolutionary today as it did 50 years ago. The anthology invites us to look closely at the unresolved social dynamics of a population defined by its diversity, confronting sexism, racism, classism, and internalized homophobia alongside a broad view of institutional discrimination, heteronormativity, and sexual repression. Voices of significant leaders sit beside stories from participants behind protest lines, police raids, and street harassment, and the mounting frustration with an oppressive status quo becomes palpable on every page. The first-person narratives collected here effectively spotlight the social inequalities surrounding the LGBTQ community, many of which persist today.

A bold rallying cry that should help in the continuing fight for LGBTQ rights. Read alongside Baumann’s Love and Resistance and Marc Stein’s The Stonewall Riots: A Documentary History for a full education on the events before, during, and after Stonewall.

Pub Date: April 30, 2019

ISBN: 978-0-14-313351-3

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 13, 2019

Kirkus Reviews Issue: March 1, 2019

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