A carping, tedious journey into the hinterlands.
A wandering, seemingly plotless novel by Austrian writer Handke.
It begins with a bee sting: A pensioner in the exurbs of Paris walks barefoot in the grass and earns a hymenopteran bite for his troubles. Spurred, he takes the occasion to pack his bags and go for an adventure that it pleases him to think is somehow illegal. “Yes, at last I would lay eyes on my fruit thief, not today, not tomorrow, but soon, very soon, as a person, the whole person, not just the phantom fragments my aging eyes had glimpsed in all the years before, usually in the middle of a crowd, and always at a distance, and those glimpses had never failed to get me moving again,” writes Handke in a typically winding sentence. That fruit thief is a young woman who soon becomes the center of the story even though the oldster remains the omniscient narrator. He dislikes the new Europe: “I usually found women in veils properly—or improperly—offputting,” he grumbles, having encountered Muslim women on a train. He finds his fellow humans thick as bricks: “Nothing makes them prick up their ears.” The young woman, Alexia, is no more tolerant, a Nietzschean rebel who emerges as a younger, female doppelgänger to the older man’s world-weary curmudgeon. She wanders across France, her vast handbag full of, yes, pilfered fruit that she considers it her right to possess, staking out places where she can readily nab the stuff: “She evaluated each place according to the spots, nooks, and crannies where a piece of fruit grew that she could grab.” Why not televisions or late-model Renaults? Alexia falls in with an occasional companion who, Handke takes pains to point out, is of darker complexion than she, “fighting his way at her side through this European jungle.” Their travels don’t amount to much, but they afford Handke plenty of opportunities to sneer at modern mores and modern life and the boring homogeneity of humankind, especially the non-European sort.
A carping, tedious journey into the hinterlands.Pub Date: March 15, 2022
ISBN: 978-0-3749-0650-4
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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