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INTO A HEARKENING SKY

An ambitious, metaphysical SF story.

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Decades after a cosmic disaster, survivors on Earth struggle against bizarre threats from beneath the soil and the seas in Heasley’s SF novel.

With this volume, the author concludes the Hyperbolia series, begun with Under a Darkening Moon (2022). In a strange cosmic disaster, the moon is struck by some kind of object, creating a calamitous three-day Great Eclipse, followed by an era of “moondark.” Billions die as the Earth is blanketed and chilled by debris, but Newtonian physics does not explain other oddities that spring up: Prehistoric beasts live again. Some people stop aging. Others fall into comalike deep sleeps, though they maintain a consciousness, of sorts, and acquire the ability to observe reality through dreams. Wraithlike entities called “specters” emerge from oceans to kill living beings (apparently in futile attempts to bodily possess them), and sea levels fall 600 feet, revealing a lost city that might be the fabled Atlantis itself. Reverse-engineering the city’s ancient technology yields such wonders as anti-gravity (used to create literal flying carpets), and Earth’s survivors drop their partisan squabbles to come to terms with the strange new paradigm in an uneasy coalition of military personnel and mystics. The novel’s heroes include Jody Conque, an ex-priest with glowing blue eyes and formidable specter-battling powers, whose wife, Haleh, has become a sleeper; erstwhile biologist Mort Sowinski, a sleeper now awakened; Doris Huntsman, a Bosnian refugee-turned–science prodigy of this new-world disorder; and Hudson MacDuff, who falls through a mysterious portal in an Atlantic rift—in what seems like days to him, years pass in a bizarre time-dilation effect. As the ensemble strives to solve the riddle(s) of the moondark, a malevolent, shape-shifting underground entity makes its presence known; Jody Conque identifies it as the devil.

Heasley’s third entry often seems to double down on the trippy series’ questions rather than clarifying them; there is a shoutout to TV’s The X-Files (which may be fair warning) as well as nods to J.R.R. Tolkien and C.S. Lewis. Casual fans might detect a Lovecraft-ian vibe in the horrorscape of sunken temples, underground cities, and chthonic menaces from beneath the permafrost, but it really feels more like a fever dream the creator of Narnia might have had, perhaps under the influence of too much Turkish delight whilst reading Ray Palmer’s notorious “Shaver Mystery” hollow-Earth hoax fantasies (passed off as fact in 1930s issues of Amazing Stories). The author is a Catholic priest, and the material does indeed evoke the presence of God in the sense of the harsh deity behind the Great Flood and the Tower of Babel, places where human hubris pushed too far and got slapped back. The narrative’s biggest challenge is carving out a workable cosmology from the topsy-turvy notion of an Earth “inverted,” with the cosmos and moon somehow enveloped by terra firma and inaccessible, while subterranean places (and abyssal depths) are suddenly wide open and displaying extraordinary and possibly dangerous secrets. “Down is the new up,” helpfully remarks a character; in the end, even the victorious protagonists are hard-pressed to explain what they did, or how they did it, or why it worked, if it worked.

An ambitious, metaphysical SF story.

Pub Date: N/A

ISBN: N/A

Page Count: 352

Publisher: Manuscript

Review Posted Online: April 27, 2023

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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