A rich, vibrant collection that pries wide the door to the East, welcoming Western readers inside.
A collection of personal essays and profiles that reveal the wonders and woes of the East.
New Yorker staff writer Hessler (Country Driving: A Journey Through China from Farm to Factory, 2010, etc.) bridges the divide between East and West with riveting reportage. In the opening essay, “Wild Flavor,” the author chronicles his visit to a restaurant in southern China, where the waitress casually asked, “Do you want a big rat or a small rat?”—a line that embodies the collection’s interest in celebrating and questioning cultural differences. In the title essay, Hessler and an old Peace Corps buddy take a road trip across northern China, and the well-seasoned travelers find themselves duped at every turn—further evidence of the slow learning curve between cultures. Yet perhaps the theme running throughout most of these essays is the author’s examination of the perils of living in a closed society, in which even the assistant manager of the aforementioned rat restaurant refused to give his name for the book (despite the fact that most of the village shares his name). In “Boomtown Girl,” Hessler best elucidates this fear of oversharing with outsiders by introducing readers to Emily, a Chinese teacher-in-training who bucked all traditional gender roles and set out a future of her own making. While much of the book depicts a country consisting of walls, gates and fences—both literally and metaphorically—Emily’s idealism reveals a new breed of Chinese woman, one whose intrepid spirit serves her well.
A rich, vibrant collection that pries wide the door to the East, welcoming Western readers inside.Pub Date: April 16, 2013
ISBN: 978-0-06-220623-7
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: Jan. 28, 2013
Kirkus Reviews Issue: Feb. 15, 2013
A uniquely talented writer and performer offers up an unexpectedly uncommon approach to autobiographical writing.
Tough times spur a popular stand-up comedian and actor to dive deep into her own inimitable psyche.
In Slate’s (Marcel the Shell With Shoes On: Things About Me, 2011) intriguing inner world, raindrops are “wet water bloops” that fall unexpectedly from the sky, and brassieres are “cotton cup bags” that respectable ladies are obliged to don before heading out to dinner. The use of deconstructed language allows the author to move beyond the banal and replace it with something that more closely approximates her singular experience of being alive. Whether joyous or sad, Slate’s personal journey hasn’t always been lighthearted. Indeed, the author feels moved to describe herself as “dying” on multiple occasions throughout her life. She is concerned with many other things, as well, including the nature of lovelorn ghosts and the ethereal goodness of dogs. Underneath the gauzy, shimmering scaffolding, however, is an all-too-universal story about heartbreak, depression, and a failed marriage: “One man was gone from my life just about the time that another man pig-snorted his way into the presidency….I didn’t know how or why to give myself small pleasures.” Through it all, she has found solace in a circle of good friends and the redemptive powers of a neat house and an incredible garden. Slate seems to fit so comfortably inside the poetic realms of her impressive imagination that she has no need to abandon them, not even when she is rebuking the pernicious ugliness of male patriarchy, another element that has heavily impacted her life. In one particularly powerful interlude, the author achieves biblical grandeur, envisioning herself ripping out the ancient evil root and stem. “I take one last good look at that poison pod and I just go ahead and fling it,” she writes. “I fling that pod back into the gloomy section of outer space that is for bad gods with sickly and sour spirits.”
A uniquely talented writer and performer offers up an unexpectedly uncommon approach to autobiographical writing.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-48534-0
Page Count: 240
Publisher: Little, Brown
Review Posted Online: Oct. 7, 2019
A superb memoir by any standard, but one of the best to have been written by a rock star.
The Boss speaks—and he does so as both journeyman rocker and philosopher king.
Wrapping up his long backward look at a storied life and the anthemic songs that punctuate it, Springsteen examines his motivations. “I wanted to understand,” he writes of the past, “in order to free myself of its most damaging influences, its malevolent forces, to celebrate and honor its beauty, its power, and to be able to tell it well to my friends, my family and to you.” Readers who stick with the story—and there are a few longueurs—will be richly rewarded. Springsteen has lived well, even if he expresses a couple of regrets and, in a newsmaking episode, confesses to having suffered a long bout of depression at the age of 60. “The blues don’t jump right on you,” he writes, but jump they do. Nothing a pill can’t take care of, mind you, and when Springsteen rebounds, he does so with a joyous vengeance. Ardent students of his music might wish for a touch more depth in his account of his processes as songwriter and performer, but there’s plenty of that. In one of the scattered formulas that he tosses out, he allows that the math of rock ’n’ roll is an equation, thanks to the transport and bond between band and fan, through which “when the world is at its best, when we are at our best, when life feels fullest, one and one equals three.” That math may not bear close inspection, but Springsteen is foremost a fan, and nowhere more so than when he had a chance to play with rock gods Mick Jagger and Keith Richards, a fine and rousing moment in a book full of them. Springsteen is gentle with those who treated him poorly—and one imagines those “rah-rahs” of the Jersey Shore writhing in shame each day at the memory—but generous with love for friends and listeners alike.
A superb memoir by any standard, but one of the best to have been written by a rock star.Pub Date: Sept. 27, 2016
ISBN: 978-1-5011-4151-5
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: Sept. 26, 2016
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