by Peter Hessler ‧ RELEASE DATE: April 16, 2013
A rich, vibrant collection that pries wide the door to the East, welcoming Western readers inside.
A collection of personal essays and profiles that reveal the wonders and woes of the East.
New Yorker staff writer Hessler (Country Driving: A Journey Through China from Farm to Factory, 2010, etc.) bridges the divide between East and West with riveting reportage. In the opening essay, “Wild Flavor,” the author chronicles his visit to a restaurant in southern China, where the waitress casually asked, “Do you want a big rat or a small rat?”—a line that embodies the collection’s interest in celebrating and questioning cultural differences. In the title essay, Hessler and an old Peace Corps buddy take a road trip across northern China, and the well-seasoned travelers find themselves duped at every turn—further evidence of the slow learning curve between cultures. Yet perhaps the theme running throughout most of these essays is the author’s examination of the perils of living in a closed society, in which even the assistant manager of the aforementioned rat restaurant refused to give his name for the book (despite the fact that most of the village shares his name). In “Boomtown Girl,” Hessler best elucidates this fear of oversharing with outsiders by introducing readers to Emily, a Chinese teacher-in-training who bucked all traditional gender roles and set out a future of her own making. While much of the book depicts a country consisting of walls, gates and fences—both literally and metaphorically—Emily’s idealism reveals a new breed of Chinese woman, one whose intrepid spirit serves her well.
A rich, vibrant collection that pries wide the door to the East, welcoming Western readers inside.Pub Date: April 16, 2013
ISBN: 978-0-06-220623-7
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: Jan. 28, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Ruth Brandon ‧ RELEASE DATE: Oct. 1, 1994
Houdini's fame is so great that he is more a metaphor for magical escape than a man, but Brandon's (The New Women and the Old Men, 1990) biography readably explores both his act's archetypal appeal and his obsessive personality. Born Ehrich Weiss in Hungary and raised in Wisconsin, Houdini mythologized his impoverished childhood and early career in countless interviews and publicity notices. Brandon penetrates his family's isolation in poverty, his father's failure as a rabbi in America, and his mother's Freudian bond with her favorite son. Married early, Houdini and his assistant-wife began with an unremarkable magic act, which they toured in circuses, vaudeville, and even a freak show. At the turn of the century his theatrical breakthrough came with concentrating and expanding on his original escape act—from handcuffs—and his promotional talents and showmanship brought him worldwide fame, with phenomenal success in autocratic Germany and Russia. He added constantly to his ingenious repertoire—escaping from straitjackets, immersed in water, suspended in midair, or buried alive—with an instinctual sense of the public appetite, while also writing books and dabbling in early movies and aviation. Preoccupied with spiritualism, he campaigned against fraudulent mediums and arranged experiments to make contact with his wife after his death. Invoking Freud and Jung, Brandon reveals Houdini's fixations on his mother (including impotence, in her guess), suicide, death, and the hereafter, and his act's fascination for his audience (though she ignores his influence on modern magicians like Penn and Teller). If her Houdini is shackled in Freudian complexes, though, his act was equally bound up in his obsessions. More trickily, Brandon adroitly deconstructs his secrets (available for years) but keeps the suspense and wonder intact. Apart from occasional slips into a corny carny-huckster style and insertions of irrelevant anecdotes of her own experiences, Brandon has written an entertaining biography of a legendary figure. (24 pages of b&w photos, not seen)
Pub Date: Oct. 1, 1994
ISBN: 0-679-42437-7
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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by Margarethe Cammermeyer with Chris Fisher ‧ RELEASE DATE: Oct. 1, 1994
Jacob Marley's injunction that we all bear the chains we forge in life could be the lesson of Cammermeyer's life story. But like Scrooge, she shows that we all have the power to break those chains and find happiness. Cammermeyer, the Army reservist who challenged the military policy on homosexuality, was born in 1942 in Norway and spent her early childhood under the Nazi occupation while her parents participated in the Resistance. The daughter of a stern, undemonstrative father and a subservient mother, she spent her youth in a household where only the male children ``counted.'' After the family moved to America in the early 1950s, she decided to go to medical school, following in the footsteps of her father, a prominent neurological research scientist. When poor grades in college put an end to that dream, Cammermeyer, by then a naturalized citizen, enlisted in the Army, and became a nurse. During a tour of duty in Germany, she met and married her husband, another officer. Though their marriage was plagued from the beginning, she was determined to be a good wife. When her husband was sent to Vietnam, she volunteered as well. Upon returning, both of them, who believed in the US mission in Southeast Asia, were shocked by the naãvetÇ of the American public. Though they raised a family and lived in a dream house, the couple finally divorced when she was 38. A few years later, Cammermeyer finally found fulfillment in a relationship with a woman. She also pursued her military career. During a routine interview for a higher security clearance, she admitted that she was a lesbian and was discharged. She set out to challenge the action in court and was eventually vindicated and ordered reinstated. Appeals continue, however, and she remains out of uniform. Her story is scheduled to appear as an NBC TV movie in February 1995. Cammermeyer tells her story with clarity and sincerity. Despite coauthor Fisher's somewhat repetitive style, the book has a power that brings readers along on this courageous soldier's journey. (16 pages of b&w photos) (Author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-670-85167-1
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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