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THE ART OF REVISION

THE LAST WORD

A fresh perspective on revision that should inspire even apprehensive writers.

A collection of essays that explores an elusive piece of the writing process.

As an English professor and novelist who has won the Anisfield-Wolf Book Award and PEN/Malamud Award, Davies is well situated to tackle the art of revision, which is often invisible, executed behind the scenes, with readers only privy to an author’s final draft. In his writing classes, Davies has found that many writers are reluctant to revise their drafts. The author attempts to shine light on this subject and break down barriers by exploring the revision processes of numerous popular writers as well as his own. Among the authors included in the discussion are Hemingway, Joyce, Flannery O’Connor, Raymond Carver, Lauren Groff, and Carmen Maria Machado. Davies also looks at other forms of writing that have benefitted from revision, including serial movies and TV series. As the author demonstrates—and as many aspiring writers will acknowledge—the first draft is often hard to let go. Having a first-is-best bias, some writers romanticize their inspirations and are reluctant to make changes. Davies offers another perspective from which writers should view their work. He is clear about the importance of revision, an ongoing project of discovery that allows authors the opportunity to gain a deeper understanding of their stories and refine their intent—and their chosen title, if needed. Through the author’s close analysis of popular works, as well as insight on the topic from other writers, the power of this crucial step in the writing process is evident. But how does a writer know when enough is enough? Davies also discusses the risks associated with obsessive revision. Ultimately, in finding the sweet spot, the author suggests that the endpoint be “the point at which the opinions of others no longer burden us.”

A fresh perspective on revision that should inspire even apprehensive writers.

Pub Date: Nov. 2, 2021

ISBN: 978-1-64445-039-0

Page Count: 172

Publisher: Graywolf

Review Posted Online: Aug. 27, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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I'LL HAVE WHAT SHE'S HAVING

A pleasingly unformulaic book of hard-won advice that never rings false.

The comic and television personality turns serious—semi-serious, anyway—in a combination memoir and self-help book.

Handler opens these generally short essays with a memory of childhood that closes with the exhortation to keep the child within us alive into adulthood: “Hold on to that child tightly, as if she were your own, because she is.” The memory soon veers into the comically absurd, with an account of a cocaine-fueled cross-country trip with a random companion who looked like another TV personality: “I don’t know if Dog the Bounty Hunter does copious amounts of cocaine, but he sure looks like he does.” Drugs and juice are seldom far from the proceedings, but therapy is close by, too, and clearly the latter has been of tremendous use, if “exhausting in the sense that every new development or idea led to a period of intense self-awareness followed by waves of acute self-consciousness coupled with endless self-recrimination.” As the anecdotes progress, that intense self-awareness becomes less fraught. Some of her life lessons are drawn from her experiences wrestling with the yips and setbacks of performing before audiences; some turn into knowing one-liners (“I knew if three men in a row told me not to do something, it was imperative that I do the opposite”). Most, even if tongue-in-cheek or rueful, are delivered with a disarming friendliness laced with her trademark archness: Her account of a dinner opposite Woody Allen and daughter/wife Soon-Yi is worth the price of admission alone. In the main, Handler is a cheerleader for everyone worthy of cheers, and especially women. As she writes, encouragingly, “You have misbehaved, and then corrected, and then misbehaved again, and then corrected some more”—and have grown and flourished.

A pleasingly unformulaic book of hard-won advice that never rings false.

Pub Date: Feb. 25, 2025

ISBN: 9780593596579

Page Count: 320

Publisher: Dial Press

Review Posted Online: March 4, 2025

Kirkus Reviews Issue: April 1, 2025

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