by Peter Manseau ‧ RELEASE DATE: Oct. 10, 2017
A well-paced nonfiction work that reads more like a historical novel than an academic study.
The tale of a provocative controversy and court trial from the formative era of photography.
Written like a novel but researched with academic rigor, this account of a photographer whose work seemed to incorporate images from the spirit realm stops short of either endorsing the veracity of the photographer’s claim or debunking his work as a scam. What Manseau (One Nation, Under Gods: A New American History, 2015), the curator of American Religious History at the Smithsonian, demonstrates is that William Mumler (1832-1884) was perhaps as mystified as his skeptics in his emergence as a “spirit photographer” whose photographs of a living subject might show a deceased relation hovering somewhere in the print. Court transcripts show that Mumler’s subjects mostly believed in the legitimacy of the apparitions in his work and that none of the photographers who attempted to expose his trickery were able to do so. Yet the narrative is less an argument in favor of a miracle than an evocation of an era “shaped by war, belief, new technology, and a longing for connections across ever greater distances—a time not unlike our own.” It was a time when the telegraph offered instantaneous communication across oceans and “transformed nearly every aspect of American life, and perhaps none more so than the press.” It was also a time when electricity demonstrated the very real power of things unseen. If communication could become instantaneous across thousands of miles, why couldn’t the emerging field of photography close the distance between the living and the dead? For this was also an era, even before the Civil War, when the country “was suffering a spiritual hangover,” in which spiritualism and mediums who claimed to communicate with the dead were perceived as a threat to conventional Christianity. Thus the trial not only focused on the possibilities and limits of the emerging photographic technology, but on whether it was possible to reconcile such apparitions with the Bible.
A well-paced nonfiction work that reads more like a historical novel than an academic study.Pub Date: Oct. 10, 2017
ISBN: 978-0-544-74597-1
Page Count: 352
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Richard Rhodes ‧ RELEASE DATE: Feb. 1, 1986
A magnificent account of a central reality of our times, incorporating deep scientific expertise, broad political and social knowledge, and ethical insight, and Idled with beautifully written biographical sketches of the men and women who created nuclear physics. Rhodes describes in detail the great scientific achievements that led up to the invention of the atomic bomb. Everything of importance is examined, from the discovery of the atomic nucleus and of nuclear fission to the emergence of quantum physics, the invention of the mass-spectroscope and of the cyclotron, the creation of such man-made elements as plutonium and tritium, and implementation of the nuclear chain reaction in uranium. Even more important, Rhodes shows how these achievements were thrust into the arms of the state, which culminated in the unfolding of the nuclear arms race. Often brilliantly, he records the rise of fascism and of anti-Semitism, and the intensification of nationalist ambitions. He traces the outbreak of WW II, which provoked a hysterical rivalry among nations to devise the bomb. This book contains a grim description of Japanese resistance, and of the horrible psychological numbing that caused an unparalleled tolerance for human suffering and destruction. Rhodes depicts the Faustian scale of the Manhattan Project. His account of the dropping of the bomb itself, and of the awful firebombing that prepared its way, is unforgettable. Although Rhodes' gallery of names and events is sometimes dizzying, his scientific discussions often daunting, he has written a book of great drama and sweep. A superb accomplishment.
Pub Date: Feb. 1, 1986
ISBN: 0684813785
Page Count: 932
Publisher: Simon & Schuster
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: Jan. 15, 1986
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by Oliver Stone and Peter Kuznick ‧ RELEASE DATE: Oct. 30, 2012
Preaching to the choir, perhaps, but an invigorating sermon all the same.
Zinn-ian conspiracy theories, propounded engagingly and energetically by filmmaker and gadfly Stone and Cold War scholar Kuznick (History/American Univ.).
If you’ve read Howard Zinn—or if, like Jeff Lebowski, the Port Huron Statement is still current news for you—then you’ll have at least some of the outlines of this overstuffed argument. Premise 1: Though the United States may pretend to be a nice, cuddly sort of democracy, it’s the font of much trouble in the world. Premise 2: When, post-9/11, neocons began pondering why it wouldn’t be such a bad idea for the U.S. to become an imperial power, they were missing a train (or Great White Fleet) that had pulled out of the station long ago. Premise 3: We like European fascists better than Asian fascists, as evidenced by propaganda posters depicting our erstwhile Japanese foes as rats and vermin. Premise 4: War is a racket that benefits only the ruling class. Premise 5: JFK knew more than he had a chance to make public, and he was gunned down for his troubles. And so forth. Layered in with these richly provocative (and eminently arguable) theses are historical aperçus and data that don’t figure in most standard texts—e.g., the showdown between Bernard Baruch and Harry Truman (“in a colossal failure of presidential leadership”) that could only lead to a protracted struggle between the U.S. and the Soviet Union for post–World War II dominance. Some familiar villains figure in as well, notably the eminently hissable Henry Kissinger and his pal Augusto Pinochet; the luster of others whom we might want to think of as good guys dims (George H.W. Bush in regard to Gorbachev), while other bad guys (George W. Bush in regard to Saddam Hussein) get worse.
Preaching to the choir, perhaps, but an invigorating sermon all the same.Pub Date: Oct. 30, 2012
ISBN: 978-1-4516-1351-3
Page Count: 784
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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