A festschrift in honor of the New York City Ballet on its 50th birthday, incorporating reminiscences and testimonial essays with photographs of George Balanchine and his dancers and reproductions of set designs, programs, and other such memorabilia. Making best use of the legion of distinguished artists and performers who have worked with the NYCB, editor Christopher Ramsey has included photography by Richard Avedon and Henri Cartier-Bresson, essays by Susan Sontag, Joan Didion, John Guare, and George Plimpton, and artwork by Marc Chagall, Isamu Noguchi, and Keith Haring. In his foreword, Baryshnikov credits NYCB co-founder Lincoln Kirstein with introducing Russian ballet to America, which Susan Sontag claims thereby made New York the undisputed capital of American dance. Informally arranged, with essays interspersed randomly among the reproductions, this looks more like a nicely bound scrapbook than the usual coffee-table volume, and the intimacy of tone which this creates should appeal to those whose interest in ballet surpasses their familiarity with it. Devotees, of course, will want the book as a matter of course.
Pub Date: Nov. 4, 1998
ISBN: 0-688-15751-3
Page Count: 176
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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