An engaging and humorous historical approach to contemporary racism.
In this novel, two medieval scholars are asked to spy on their professor—who may have nefarious ties to a White supremacist group.
When Molly Isaacson first talks to Quinton Quick—they are both studying medieval history at Yale—the exchange doesn’t go so well. Molly unabashedly expresses her astonishment over Quinton’s race: “You’re a medievalist? But you’re Black!” Despite the rocky start, they quickly become good friends, both students under the intellectually impressive and controversial professor Abe Kantorowicz, who has garnered a reputation for breaking bread with Nazis and fascists, if only to criticize them. Molly and Quinton are suddenly approached by a humorously mysterious figure—despite the gravity of the story’s themes, Adamo often shoots for lightsome, if glib, comedy—FBI agent Nathaniel Mapp. With a “conspiratorial air,” Mapp asks the two students to surveil Kantorowicz, who he believes is working furtively with a White supremacist group. The author makes it tantalizingly unclear if Mapp’s suspicions are correct. Shortly after, Kantorowicz asks Molly and Quinton to assist him with an “archaeological experiment” to find a symbol that replaces the swastika as a unifying symbol of bigoted groups, a supposedly academic exercise in historical lucidity. Adamo intelligently combines the topical and the esoteric—at the heart of the novel is the alt-right’s appropriation of medieval symbols to brand their hateful cause. But this virtue doubles as a vice—the book flirts with an excessive academicism. Part of it reads like a classroom lecture while other sections are in fact precisely that. In addition, the author can’t resist drawing some facile and didactic conclusions about the nature of racism. Nevertheless, the story is refreshingly eccentric, and while it sometimes seems in danger of taking itself too seriously, the author’s comic impulses chasten that urge. This is an engrossing tale, a delightfully peculiar blend of intellectual and criminal investigation.
An engaging and humorous historical approach to contemporary racism.Pub Date: N/A
ISBN: N/A
Page Count: 311
Publisher: Split Infinitive Books
Review Posted Online: June 20, 2022
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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