A final encounter helps the heroine and readers comprehend and value the concepts of name and identity—and the blessings...
Stead’s flora-filled settings and free-spirited style will feel happily familiar to readers of A Home for Bird (2012); the fresh storyline follows the range of reactions to an extroverted personality.
Ruby is a diminutive, yellow bird whose frequent introductions are a touch formal: “I am glad to meet you.” She fearlessly initiates conversation with much bigger birds and is the kind of friend who offers ideas and is willing to try the suggestions of others. In the process, much is gleaned about avian (and human) behavior. In a nod to Leo Lionni, a red warbler her size shows Ruby how not to feel small: The flock flies in an elephant formation, their collective shape larger than any pachyderm in the herd. Stead places the protagonist in a variety of situations, at one point allowing listeners to finish a sentence, at another permitting silence to heighten emotion, as when Ruby stands alone in a gray rainstorm, rebuffed. Wide, energetic crayon strokes color her expansive world in shades transitioning from sky blue to sunset coral. Thin circular lines suggest ponds and trees. Rendered in gouache, the expressive animals are the focus, whether on glaciers or in grasslands.
A final encounter helps the heroine and readers comprehend and value the concepts of name and identity—and the blessings that reaching out to a diverse community bestows. (Picture book. 3-6)Pub Date: Sept. 10, 2013
ISBN: 978-1-59643-809-5
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: April 9, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An instructive tale about big feelings, lightened up by a furious kid’s theatrics.
An angry child attempts to calm down.
A kid with paper-white skin, clad in a blue dress and striped tights, makes an absurd request: “Can we get a pet penguin, name it Marshmallow, and feed it carrots?” Mom, off-stage, says simply, “Not today,” and the tot transforms into a rather odd creature: a spicy nugget! The nugget is imperfectly ovoid in form, with red rosy cheeks, rage-filled dot-eyes, and a spiraling black-hole mouth. The sight gag works beautifully: When one feels truly angry, all poise disappears, leaving only a flailing ball of rage. Our protagonist hurls a teddy bear, unsuccessfully tries out a list of calming methods, and finally retreats to bed, where “I can feel my breathing; I know that I am safe.” The youngster reverts back to human form, and Mom arrives with kind words: “You are not your big feelings. You are not your angry thoughts.” The takeaway is unmistakable, especially at the story’s conclusion: It’s OK to get mad and important to practice coping strategies. The young narrator expresses emotion with fabulous vigor, though the story’s lilting rhyme scheme occasionally distracts from these outbursts with cuteness. Nonetheless, this increasingly enraged nugget-child is irresistible; anyone who’s grappled with overwhelming emotions will relate—in a word, everyone.
An instructive tale about big feelings, lightened up by a furious kid’s theatrics. (Picture book. 3-6)Pub Date: Sept. 8, 2026
ISBN: 9798217042142
Page Count: 40
Publisher: Viking
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
SEEN & HEARD
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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