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HELLO, MY NAME IS RUBY

A final encounter helps the heroine and readers comprehend and value the concepts of name and identity—and the blessings...

Stead’s flora-filled settings and free-spirited style will feel happily familiar to readers of A Home for Bird (2012); the fresh storyline follows the range of reactions to an extroverted personality.

Ruby is a diminutive, yellow bird whose frequent introductions are a touch formal: “I am glad to meet you.” She fearlessly initiates conversation with much bigger birds and is the kind of friend who offers ideas and is willing to try the suggestions of others. In the process, much is gleaned about avian (and human) behavior. In a nod to Leo Lionni, a red warbler her size shows Ruby how not to feel small: The flock flies in an elephant formation, their collective shape larger than any pachyderm in the herd. Stead places the protagonist in a variety of situations, at one point allowing listeners to finish a sentence, at another permitting silence to heighten emotion, as when Ruby stands alone in a gray rainstorm, rebuffed. Wide, energetic crayon strokes color her expansive world in shades transitioning from sky blue to sunset coral. Thin circular lines suggest ponds and trees. Rendered in gouache, the expressive animals are the focus, whether on glaciers or in grasslands.

A final encounter helps the heroine and readers comprehend and value the concepts of name and identity—and the blessings that reaching out to a diverse community bestows. (Picture book. 3-6)

Pub Date: Sept. 10, 2013

ISBN: 978-1-59643-809-5

Page Count: 40

Publisher: Neal Porter/Roaring Brook

Review Posted Online: April 9, 2013

Kirkus Reviews Issue: July 15, 2013

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  • New York Times Bestseller

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE GIRL WHO NEVER MADE MISTAKES

A good choice for offering comfort and support to a budding perfectionist.

Can anyone be perfect?

Beatrice Bottomwell always does everything right. “Most people in town didn’t even know Beatrice’s name. They just called her ‘The Girl Who Never Made Mistakes,’ because for as long as anyone could remember, she never did.” One Thursday though, she almost does something wrong (she drops some eggs while cooking at school but catches them just in time). Straightforward text describes Beatrice’s predicament as, unnerved, she ponders her almost-error and begins to worry. What if she really does do something wrong? Brightly colored watercolors and gentle humor combine to portray Beatrice’s eventful day, her growing fear and her sprightly pet hamster. During a school talent show, Beatrice finally makes a real mistake—in front of everyone. How will she cope? Learning how to relax enough to laugh and simply be herself just might do the trick. While the plot is predictable and the solution to the problem fairly pat, this is a well-intentioned story, full of acceptance and goodwill. It will be especially useful in a therapeutic setting; it may be a real comfort to a child who is afraid of making mistakes, while children dealing with similar issues will also find reassurance here.

A good choice for offering comfort and support to a budding perfectionist. (Picture book. 3-6)

Pub Date: Oct. 4, 2011

ISBN: 978-1-4022-5544-1

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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