by Philip C. Stead ; illustrated by Philip C. Stead ‧ RELEASE DATE: June 5, 2018
Cleverly bringing the narrative full circle, Stead has crafted a caring community where sadness is mitigated by quiet...
The compassionate toad who stole readers’ hearts in A Home for Bird (2012) now appears in a long-form picture book with three chapters.
In “Waiting,” the amphibian sits atop a snail shell, a flower his only companion. An undecorated white background conveys the empty boredom surrounding this activity—a sentiment to which children will relate. Unexpectedly, the snail eventually emerges and carries Vernon into the next story. His forest world, executed in gouache, crayon, pastel, and charcoal, feels familiar. The pages are framed with loose green loops of vegetation and chalky blue strokes of sky. Stead has a gift for expressing the emotions and dialogue that accompany the uncertainties of childhood—those anxious, wanting-to-be-right-but-not-quite-knowing-the-rules moments. In “Fishing,” Skunk and Porcupine join their friend, and although Porcupine feels inadequate because he doesn’t know how to fish, in reality none of them do. At the climax, lit by a sunset, the trio invents their own version of the sport; listeners feel a combination of in-the-know pride—and relief. “Gardening” finds Vernon missing Bird: “But sometimes…my memories are not so easy to remember.” Working, resting, seeking out things Bird loved, and thoughtful friends are factors in his renewal.
Cleverly bringing the narrative full circle, Stead has crafted a caring community where sadness is mitigated by quiet kindnesses and an unhurried joy in nature—a fruitful model. (Picture book. 4-7)Pub Date: June 5, 2018
ISBN: 978-1-62672-655-0
Page Count: 69
Publisher: Neal Porter/Roaring Brook
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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