Next book

WOMAN WITH A GUN

The Chinese box puzzle takes some getting used to, but it allows Margolin to deliver one of his cleverest cases while...

A haunting photograph sets an aspiring novelist to sniffing out clues in a cold case with roots in an even more distant past.

Kathy Moran’s Pulitzer-winning photo is notorious not only because it shows a bride standing by the seaside with a long-barreled revolver in her hand, but because she snapped it the night the bride in question, Megan Cahill, was married and widowed 10 years ago. Palisades Heights investor Raymond Cahill’s murder has never been solved, and Stacey Kim, the hopeful writer toiling as a receptionist in a Manhattan law firm, is convinced that the photo holds the key to the novel she hasn’t been able to write. Before she can book a flight to Oregon to interview the principals in the case, Margolin (Worthy Brown’s Daughter, 2014, etc.) takes his time relating the facts—which implicate both Megan and her abusive ex, Oakland Raiders running back Parnell Crouse—from the viewpoint of Jack Booth, the assistant attorney general who’s been packed off to Palisades Heights to help Siletz County D.A. Teddy Winston handle the case. And, as if that weren’t enough, the tale delves further back to Jack’s first encounter with Kathy Moran five years earlier, when she was a young defense attorney he squared off against the time she defended Portland drug dealer Gary Kilbride on a murder charge while Jack dreamed about getting her into bed. Stacey’s improbable search for the truth—isn’t she supposed to be writing a novel?—eventually pays off in a best-selling nonfiction book for her and a satisfying solution for the rest of us.

The Chinese box puzzle takes some getting used to, but it allows Margolin to deliver one of his cleverest cases while concealing his principal flaw—paper-thin characters—beneath constant shifts in time and case.

Pub Date: Dec. 2, 2014

ISBN: 978-0-06-226652-1

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 357


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 357


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 67


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 67


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview