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BESIDE THE POINT

CLOSE ENCOUNTERS IN THE GLOBAL CLASSROOM

A companionable recollection of a life interrogating culture through language.

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A teacher of English as a second language recounts a rich career.

In 1974, debut author Chomak came to the discomfiting realization that his master’s degree in English literature was no guarantee of a university job. He stumbled into a position teaching English as a second language part-time at Holy Names College in Oakland Hills, California, a post that became full time in 1976. He would remain there until 2003 and continue as an ESL teacher until 2012, a career spanning almost 40 years. Over the course of those decades, the author taught students from countries all over the world, including Japan, Iraq, Qatar, Switzerland, and Argentina, among many others. Chomak’s memoir divides into a series of generally brief anecdotes—many of them uproariously humorous—that explore the misunderstandings that can arise from cultural and linguistic cleavages. For example, the author’s first name sounds an awful lot like the Arabic word for elephant. Many of the stories are almost vaudevillian, revolving around the comedy that issues from terminological misunderstandings and mispronunciations and the untranslatability of jokes. Some of the tales involve drama in the classroom—when a Brazilian student failed to earn the much-sought-after Certificate of Proficiency by one exam point, she threatened Chomak with a knife. Others are more serious—a Saudi student found himself attacked by his peers in the wake of 9/11. Despite the generally lighthearted tone of the book, the author repeatedly returns to the theme of cultural difference and what it means to properly understand its nature: “Teaching, for me, has embodied the paradox of relating to a group while trying to connect to each individual in that group.” Chomak writes informally and jocularly, like he’s taking readers out for a leisurely drink and some friendly conversation. Despite his eagerness to skillfully share lessons learned, his remembrances are never didactically delivered. In addition, this is a valuable resource for teachers since the author thoughtfully reflects on his pedagogical practices. Finally, Chomak shares considerable insights into the character of the English language, one riddled with its own peculiar practices and colloquialisms.

A companionable recollection of a life interrogating culture through language.

Pub Date: Dec. 10, 2015

ISBN: 978-0-9966198-0-6

Page Count: 368

Publisher: Louisa Street Press

Review Posted Online: Dec. 3, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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