A distanced portrait of an eccentric family that fails to engage.
In his debut memoir, former GQ managing editor Smith pays underwhelming homage to his father.
As interior decorator to Miami’s rich and famous, Lew Smith was celebrated for fashion-forward designs that ranged from “tropical-fantasy” to “Zen-inspired.” Wife Esther threw lavish dinner parties with swinging gay men, and the couple frequently graced the local newspapers’ society pages. The author’s early childhood in the 1950s included getaways to Havana, where his parents danced the night away while six-year-old Philip nursed rum cocktails at the bar. Gradually, Lew eschewed the ritzy nightlife in favor of a macrobiotic diet, esoteric forms of yoga and a relentless commitment to the study and practice of spirituality. To his family’s disbelief, he became a local psychic, using his “gift from God” and a trusty pendulum to heal Miami’s deaf, blind, crippled and cancer-ridden, never charging them a dime. The repetitious healing scenes fall a little too neatly into place and don’t explain much about Lew. Meanwhile, teenaged Philip began dabbling with girls, boys, electroshock therapy (to cure him of his attraction to the boys) and even Scientology, but his stabs at adolescent rebellion were continually thwarted by his father’s psychic abilities. Indeed, Smith seems more interested in Lew’s development than his own, giving only passing mention to such potentially rich subjects as his confusion about his sexual identity and his struggle to cope with his parents’ divorce. The author provides colorful descriptions of Miami, beginning in the ’50s, when it was “a big ol’ cracker swamp due east of the Everglades [where] Dixiecrats, blacks, and coral snakes summed up the population, in that order.” Regrettably, the city is a more fully realized character than any of the Smiths. By the time the author injects more of himself into the text, as he unravels the mystery of his father’s untimely death, it’s too little, too late.
A distanced portrait of an eccentric family that fails to engage.Pub Date: Sept. 16, 2008
ISBN: 978-1-4165-4294-0
Page Count: 334
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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