The plodding pace and surface-level characterizations make this a hard sell.
An orphaned boy has a chance to spend the school holidays with an unknown and sinister relative.
Seventeen-year-old Tom can’t bear the thought of spending the next eight weeks of summer holidays under surveillance at his boarding school, but his parents have been dead for five years, and his friends are too busy to host him. An unexpected letter from his Uncle Jack offers a reprieve: a chance to stay in the country. But Tom doesn’t even have an uncle, does he? Mundham Farm, Jack’s village home, proves to be deeply unsettling: Tom gets no cellphone reception, and all household work is done by two “domestics” who dress oddly and speak in archaic language. Is Jack magic? Worse, is Jack actually 500 years old? In this strange, remote house that appears to be under siege by arrow-shooting Good Folk, Jack’s creepy magic seems to come out of a grab bag of tropes, and the slow-moving, fragmented prose contributes to an overall feeling of disconnectedness. The servants’ inner lives are limited to recitations of backstory and expressions of fear or rage; when a tear-faced Tom insists that he loves them, it’s not clear what’s possibly passed between the characters to inspire such strong emotion. Most characters, human or otherwise, appear to be White.
The plodding pace and surface-level characterizations make this a hard sell. (Fantasy. 12-16)Pub Date: Oct. 4, 2022
ISBN: 978-1-915071-22-4
Page Count: 264
Publisher: Little Island
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Witty and funny, with well-rounded characters who face complex inner moral issues.
In a world dominated by order, chaos threatens to upend tradition when unlikely competitors are chosen to fight for the throne.
Emperor Erasmus is dead, leaving the Great Dragon to decide the future of the Etrusian Empire. Traditionally, the oldest child from each of the five Houses and his or her dragon compete for the throne. However, this time outsiders are called to compete: Chara and her rider, Emilia, youngest daughter of House Aurun, who holds the magic of chaos; Tyche and her rider, Lucian, reformed warrior of House Sabel; Karina and her rider, Vespir, the lowborn, lesbian servant girl and dragon handler of House Pentri; Dog and his rider, Ajax, the wily illegitimate son of House Tiber; and Minerva and her rider, Julia, who are challenged by Hyperia, who believes the throne is her birthright, and her feral dragon, Aufidius. During the stages of the Emperor’s Trial—the Hunt, the Game, the Race, and the Truth—each competitor faces their own personal weaknesses. Multiple perspectives create depth in this complex fantasy world with flawed human characters who have murder, destruction, thievery, and cowardice in their backgrounds. Cluess’ dragons have unique personalities and voices of their own, becoming as central to the story as their human riders. Most characters are cued as white; blonde hair and blue eyes are valorized. Vespir’s lesbian identity is neatly and naturally woven into her character.
Witty and funny, with well-rounded characters who face complex inner moral issues. (map) (Fantasy. 12-16)Pub Date: May 12, 2020
ISBN: 978-0-525-64815-4
Page Count: 448
Publisher: Random House
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
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