There’s something for everyone in this sumptuous collection.
The esteemed anthologist and Columbia professor compiles another vast array of American essays.
“What makes this period so interesting,” writes Lopate, “is the mélange of clashing generations and points of view” as well as the rise of the personal essay. This period opened the door to a range of diverse, powerful voices, many of which have been underrepresented in many anthologies of the 20th century. Lopate begins with a piece by Hilton Als, who creates a lovely autobiographical portrait of actor Louise Brooks, written from her point of view: “I was asked to perform with the Ziegfeld Follies; I was the most hated Follies girl, ever (too well-read, too much attitude); I was loved then and only then by several lesbians of intellectual distinction and many fairy boys who drank and wrote.” Next is Nicholson Baker’s reflective series of vignettes, “One Summer,” in which every paragraph begins with those two words. Anne Carson’s somber “Decreation” delves into the lives of three women who “had the nerve to enter a zone of absolute spiritual daring” while Terry Castle’s lighthearted, confessional “Home Alone” explores her vice for alluring interior decorating magazines. Sloane Crosley’s witty “The Doctor Is a Woman,” describes the process of freezing her 67 remaining eggs, “a gaudy amount of eggs for a human to produce….I am not a woman—I am a fish.” In “Matricide,” Meghan Daum writes affectingly about her mother’s passing, and death appears again in poet and undertaker Thomas Lynch’s comforting “Bodies in Motion and at Rest.” Sleight-of-hand modernism scatters about in Ander Monson’s “Failure: A Meditation, Another Iteration (With Interruptions).” Lopate makes an appearance in “Experience Necessary,” responding to an essay by Montaigne. As in previous volumes, the list of contributors is enviable: Patricia Hempl, Barry Lopez, John McPhee, Joyce Carol Oates, David Sedaris, Alexander Chee, Eula Biss, Margo Jefferson, Yiyun Li, Darryl Pinckney, Rebecca Solnit, etc….
There’s something for everyone in this sumptuous collection.Pub Date: Aug. 3, 2021
ISBN: 978-0-525-56732-5
Page Count: 624
Publisher: Anchor
Review Posted Online: May 27, 2021
Kirkus Reviews Issue: June 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A powerful melding of image and text inspired by Instagram yet original in its execution.
Smith returns with a photo-heavy book of days, celebrating births, deaths, and the quotidian, all anchored by her distinctive style.
In 2018, the musician and National Book Award–winning author began posting on Instagram, and the account quickly took off. Inspired by the captioned photo format, this book provides an image for every day of the year and descriptions that are by turns intimate, humorous, and insightful, and each bit of text adds human depth to the image. Smith, who writes and takes pictures every day, is clearly comfortable with the social media platform—which “has served as a way to share old and new discoveries, celebrate birthdays, remember the departed, and salute our youth”—and the material translates well to the page. The book, which is both visually impactful and lyrically moving, uses Instagram as a point of departure, but it goes well beyond to plumb Smith’s extensive archives. The deeply personal collection of photos includes old Polaroid images, recent cellphone snapshots, and much-thumbed film prints, spanning across decades to bring readers from the counterculture movement of the 1960s to the present. Many pages are taken up with the graves and birthdays of writers and artists, many of whom the author knew personally. We also meet her cat, “Cairo, my Abyssinian. A sweet little thing the color of the pyramids, with a loyal and peaceful disposition.” Part calendar, part memoir, and part cultural record, the book serves as a rich exploration of the author’s fascinating mind. “Offered in gratitude, as a place to be heartened, even in the basest of times,” it reminds us that “each day is precious, for we are yet breathing, moved by the way light falls on a high branch, or a morning worktable, or the sculpted headstone of a beloved poet.”
A powerful melding of image and text inspired by Instagram yet original in its execution.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-44854-0
Page Count: 400
Publisher: Random House
Review Posted Online: Sept. 5, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Dense and striking, to be savored and reread.
A compact return to the personal by one of today’s sharpest literary minds.
Following two recent works of cultural criticism, Nelson’s new text swings and sings back to the intimate and personal. Her quest to alleviate persistent, consuming orofacial pain serves as a narrative backbone assembled from a series of treatment plans, including Botox, a tongue-tie frenectomy, and even the suggestion to tape her mouth shut while sleeping. As she collects recommendations for pain management that veer from the surgical to the “woo-woo”—each promising accurate diagnosis and permanent deliverance—Nelson drifts between the tangible sensation of her pain and the surreality of her dreams. Her search for relief swells around the puncture wound of the coronavirus, and her prose echoes the nebulous space and abrupt transitions between specifics of time, place, interrupted activity, and the singularity and absurdity of that period. Tensions and tenderness in her relationships with her partner, her son, and a dear friend on the verge of a lonely death are atomized by the pandemic, dancing in the shadows alongside twisted nightmares, reflections on her career, and visits to dentists, therapists, and other healers. While the text is short, it packs plenty of Nelson’s signature power punches of brilliance and shrewd humor, driving the reader to look between carefully constructed lines that twitch with secrets and memories held and defended. The author’s audit of her physical pain, its undulating waves, and its stubborn betrayal of and distraction to her body and mind serves as a conduit for discerning the necessity of a person’s mouth, voice, and words, cautioning against both exhausting one’s words and stifling a person’s speech, revealing both the power and burden of what is said and what is not.
Dense and striking, to be savored and reread.Pub Date: April 1, 2025
ISBN: 9798891060111
Page Count: 80
Publisher: Wave Books
Review Posted Online: March 21, 2025
Kirkus Reviews Issue: April 15, 2025
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