An engaging memoir of magic and self-discovery, by Wicca high priestess and entertainment attorney Curott. Curott has lectured nationally on the renaissance of witchcraft in America, and here she offers a treatment of magic’s role in her own spiritual journey and professional life. Curott wisely uses the genre of autobiography to introduce readers to witchcraft gradually, as she herself was introduced to it. She first describes her visions of an Isis-like figure in her final year of law school, and her sudden development of extrasensory talents. A bit later, she met a self-described witch and through this friendship began attending her first —circle— meetings, which sound a lot more like a feminist consciousness-raising group than a coven. Which is precisely Curott’s point: the book’s chief function is to dispel Christian-based stereotypes about witches, who don—t worship Satan (he’s not a figure in pre-Christian traditions) or cast spells on people (Curott insists that witches seek to establish harmony in the world, not to be masters of others or of nature). But in her well-intentioned efforts to rehabilitate witchcraft, she occasionally succumbs to perpetuating rather ridiculous inaccuracies about its detractors (as when she repeats the claim that the Catholic Church was responsible for the Black Plague because it had killed off all the cats, thinking they might be witches— familiars). And at times her rhetorical devices are not too subtle’she gives her lecherous boss the pseudonym Hades, symbolically casting herself as the ensnared Persephone, who must utilize female magic to escape from his underworld. However, Curott also presents some fine insights into the role witchcraft plays in the complex milieu of American religion, including her observation that Wicca is appealing because it does not demand exclusive devotion (one enchantress calls herself —an Episcopagan—). Though jagged, Curott’s book stands as a unique first-person account of more than 20 years as a practitioner of Wicca. ($50,000 ad/promo; author tour; TV/radio satellite tour)
Pub Date: Oct. 14, 1998
ISBN: 0-7679-0054-5
Page Count: 320
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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