It takes everything they’ve got to get this family to the lake in their falling-apart car. In fact, without the help of Junie’s beach ball, Jakie’s surf board, and a generous helping of Poppa’s “chocolate marshmallow fudge delight,” they’d probably still be sitting just outside the farmyard. As parts fly off the car, and the bouncing trip is brought to a halt at each juncture, the red-lettered text springs along creating sound effects, rhythm, and movement, “spitter, spatter, sput!” As each part is replaced—a beach ball for a tire, a surfboard for a floor—new sounds accumulate, making the read-aloud extra lively. “Poppa turned the key, brum brum, brum brum. Wappity babbity / lumpety bumpety / clinkety clankety / bing bang pop!” This single-parent family, illustrated in watercolor and pencil, could be the red-haired cousins of the characters in Root and Barton’s last popular collaborative effort What Baby Wants (1998). Full-bleed, double-paged, oversized pictures will project to medium-sized groups and the text will certainly lock in their attention and more than likely their participation. Only outrageously funny and impossible solutions are offered, showing a sweet Dad and his three children cooperating joyfully in every aspect of their adventure. No reality check is needed here, just high spirits and a rollicking good time. (Picture book. 5-7)
Pub Date: May 1, 2001
ISBN: 0-7636-0919-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
An impending school visit by a celebrity chef sends budding cook Ollie into a tailspin. He and his classmates are supposed to bring a favorite family food for show and tell, but his family doesn’t have a clear choice—besides, his little sister Rosy doesn’t like much of anything. What to do? As in their previous two visits to Room 75, Kenah builds suspense while keeping the tone light, and Carter adds both bright notes of color and familiar home and school settings in her cartoon illustrations. Eventually, Ollie winkles favorite ingredients out of his clan, which he combines into a mac-and-cheese casserole with a face on top that draws delighted praise from the class’s renowned guest. As Ollie seems to do his kitchen work without parental assistance, a cautionary tip or two (and maybe a recipe) might not have gone amiss here, but the episode’s mouthwatering climax and resolution will guarantee smiles of contentment all around. (Easy reader. 6-7)
Pub Date: Dec. 1, 2007
ISBN: 978-0-06-053561-2
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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